EVENTS

EVENTS 2017-11-05T19:47:45+00:00
Aug
6
Sun
SUNDAY BRUNCH: August 6
Aug 6 @ 11:30 am – 1:30 pm

NINE-TEN

SummerFest 2017 Sunday Brunch
August 6 at NINE-TEN Restaurant

$40 per person all inclusive

Join SummerFest Artists and fellow concert-goers for Sunday Brunch and festive libations prior to the afternoon concert.
See the program and artists performing on August 6: Genius from Finland: Olli Mustonen at 3 pm.

TO JOIN US FOR SUNDAY BRUNCH:
Please contact Rewa Colette Soltan
858.459.3724 ext. 206
RSoltan@LJMS.org.

Pre-concert Prelude and performance immediately following at UC San Diego Department of Music’s Conrad Prebys Concert Hall.


GENIUS FROM FINLAND: Olli Mustonen
Aug 6 @ 3:00 pm
GENIUS FROM FINLAND: Olli Mustonen @ UC San Diego Department of Music’s Conrad Prebys Concert Hall | San Diego | California | United States

SUMMERFEST 2017

GENIUS FROM FINLAND: Olli Mustonen

SUNDAY, AUGUST 6 at 3 PM
UC SAN DIEGO DEPT. OF MUSIC’S CONRAD PREBYS CONCERT HALL

Evoking the era of virtuoso composer-pianists Liszt and Rachmaninoff, Finnish genius Olli Mustonen spans two centuries in this scintillating program of Beethoven and his own brilliant quintet.

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MUSTONEN    Nonetto II
Chee-Yun, David Chan, violins; Toby Hoffman, viola; Robert deMaine,
cello; DaXun Zhang, bass; Ulysses Quartet
BEETHOVEN Piano Sonata in F Minor, Opus 57 "Apassionata"
Piano Sonata in A Major, Opus 2, No. 2
Olli Mustonen, piano
MUSTONEN    Piano Quintet
Olli Mustonen, piano; Miró Quartet
Program Notes

LISTEN!

OLLI MUSTONEN: Nonet No. 2
IV. Vivacissimo · Tapiola Sinfonietta


PRELUDE 2 PM

Conversation with Olli Mustonen hosted by Scholar-in-Residence Eric Bromberger
SummerFest’s featured guest, Olli Mustonen has carved out a distinguished career as both pianist and composer, and we’ll hear him in both roles on this concert. How does one balance those two quite different career paths? Mustonen and Eric Bromberger discuss the complicated identity of being both creator and re-creator.

Festival Roster
Aug
8
Tue
OPEN REHEARSAL: SF 2017
Aug 8 @ 12:20 pm – 2:00 pm
OPEN REHEARSAL: SF 2017 @ UC San Diego Department of Music’s Conrad Prebys Concert Hall | San Diego | California | United States

OPEN REHEARSAL
Special Guest: DaXun Zhang

12:40 PM DOORS OPEN
12:50 PM REHEARSAL STARTS

Glenn Dicterow, Chee-Yun, Tien-Hsin Cindy Wu, Edward Arron and DaXun Zhang rehearse Dvorák’s Quintet for Strings and Bass in G Major, Op. 77

Doors will open 10 minutes prior to the start time listed below for each rehearsal. These are working rehearsals and no entry is allowed once they have begun.


IN THE HEART OF HUNGARY
Aug 8 @ 8:00 pm
IN THE HEART OF HUNGARY @ UC San Diego Department of Music’s Conrad Prebys Concert Hall | San Diego | California | United States

SUMMERFEST 2017

IN THE HEART OF HUNGARY

Tuesday, August 8 at 8 PM
UC SAN DIEGO DEPT. OF MUSIC’S CONRAD PREBYS CONCERT HALL

Plush – Liszt’s Grand Duo
Earthy – Kodály’s Duo for Violin and Cello
Profound – Bartók’s String Quartet No. 4

Music to salute the heart and spirit of an enchanted place.

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LISZT Grand Duo Concertant sur la romance de M. Lafont le "Le marin", S.128
David Chan, violin; Olga Kern, piano
KODÁLY Duo for Violin and Cello, Opus 7
Glenn Dicterow, violin; Robert deMaine, cello
BARTÓKFalun, Village Scenes, Sz.78
Lyubov Petrova, soprano; Michelle Naughton, piano
BARTÓK String Quartet No. 4, Sz.91
Miró Quartet
Program Notes

WATCH!

BARTÓK: String Quartet No. 4
Pacifica Quartet c.o MediciTV


PRELUDE 7 PM

Lecture by Scholar-in-Residence Eric Bromberger
Hungary may be a small nation, but musically it is a superpower, and the impact of Hungary on musical life in America has been profound. This program of music by that nation’s three greatest composers–Liszt, Kodály, and Bartók–will bring a wide range of Hungarian music, from folk melodies to blistering virtuosity to what is perhaps the twentieth century’s finest string quartet.

Festival Roster
Aug
9
Wed
THE POWER OF FIVE
Aug 9 @ 8:00 pm
THE POWER OF FIVE @ UC San Diego Department of Music’s Conrad Prebys Concert Hall | San Diego | California | United States

SUMMERFEST 2017

THE POWER OF FIVE

Wednesday, August 9 at 8 PM
UC San Diego Dept. of Music’s Conrad Prebys Concert Hall

One night, three quintets spanning centuries, that will broaden sonic frontiers. Beethoven’s sole string quintet is operatic in its scope. Dvoŕák adds a string bass for a beautiful new sonority. Xiaogang Ye’s West Coast Première combination of pipa and string quartet is a lyric breakthrough.

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BEETHOVEN String Quintet in C Major, Opus 29
Cho-Liang Lin, Kristin Lee, violin; Toby Hoffman, John Largess, violas; Robert deMaine, cello
XIAOGANG YE Gardenia for Pipa and String Quartet
West Coast Première
Wu Man, pipa; Miró Quartet
DVOŘÁKQuintet for Strings and Bass in G Major, Opus 77
Glenn Dicterow, Chee-Yun, violins; Tien-Hsin Cindy Wu, viola; Edward Arron, cello; DaXun Zhang, viola
Program Notes

WATCH!

WU MAN: Playing the Pipa
c/o CalPerformances


PRELUDE 7 PM

Conversation with Lei Liang hosted by Tiffany Wai-Ying Beres
Tiffany Wai-Ying Beres, Chinese art historian and curator hosts a conversation with composer and UC San Diego professor Lei Liang to explore the development of Chinese contemporary music. They will discuss how these new compositions are able to engage Asian musical heritage with Western traditions in a dynamic musical dialogue, and what it means to be a Chinese composer working today.

Festival Roster
Aug
10
Thu
ENCOUNTER: SF 2017
Aug 10 @ 12:30 pm – 2:00 pm
ENCOUNTER: SF 2017 @ Athenaeum Music & Arts Library | San Diego | California | United States

STRAVINSKY MEETS TAN DUN:
hosted by Eric Bromberger

Join us for this special performance Encounter, hosted by Eric Bromberger
featuring Wu Man, pipa & fellowship artists, the Ulysses Quartet

STRAVINSKYConcertino and Three Pieces for String Quartet
TAN DUNConcerto for String Quartet and Pipa

Limited seating available, on a first-come first-served basis.
Artists and programs are subject to change.


OPEN REHEARSAL: SF 2017
Aug 10 @ 2:50 pm – 4:00 pm
OPEN REHEARSAL: SF 2017 @ UC San Diego Department of Music’s Conrad Prebys Concert Hall | San Diego | California | United States

OPEN REHEARSAL
Special Guest: Cho-Liang Lin

2:40 PM DOORS OPEN
2:50 PM REHEARSAL STARTS

Kristin Lee, Cho-Liang Lin, Tien-Hsin Cindy Wu, Edward Arron and Miró Quartet rehearse Spohr’s Double String Quartet No. 1, Op. 65

Doors will open 10 minutes prior to the start time listed below for each rehearsal. These are working rehearsals and no entry is allowed once they have begun.


Aug
11
Fri
CELEBRATING STRINGS
Aug 11 @ 8:00 pm
CELEBRATING STRINGS @ UC San Diego Department of Music’s Conrad Prebys Concert Hall | San Diego | California | United States

SUMMERFEST 2017

CELEBRATING STRINGS

Friday, August 11 at 8 PM
UC San Diego’s Dept. of Music’s Conrad Prebys Concert Hall

Reach the mountaintop summit of Mendelssohn’s Octet on an invigorating excursion via Kodály’s meltingly romantic serenade, and the power of Spohr’s Double String Quartet – written in Leipzig in 1825, the same year Mendelssohn completed his own octet masterwork at the age of 16!

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SPOHRDouble String Quartet No.1 in D Minor, Opus 65
Kristin Lee, Cho-Liang Lin, violins; Tien-Hsin Cindy Wu, viola; Edward Arron, cello;
Miró Quartet
KODÁLY Serenade for Two Violins and Viola, Opus 12
Margaret Batjer, Kristin Lee, violins; Tien-Hsin Cindy Wu, viola
MENDELSSOHN Octet for Strings in E-flat Major, Opus 20
Yura Lee, Margaret Batjer, violins; Toby Hoffman, viola; Robert deMaine, cello;
Ulysses Quartet
Program Notes

WATCH!

MENDELSSOHN: String Octet in E-flat Major, Op. 20
IV: Presto
Musique del Tempo Quartet and Akadem Quartet in concert at the State Historical Museum


Festival Roster
Aug
13
Sun
SUNDAY BRUNCH: August 13
Aug 13 @ 11:30 am – 1:30 pm

Catania

SummerFest 2017 Sunday Brunch
August 13 at Catania Restaurant

$40 per person all inclusive

Join SummerFest Artists and fellow concert-goers for Sunday Brunch and festive libations prior to the afternoon concert.
See the program and artists performing on August 13: Kalichstein-Laredo-Robinson Trio: 40th Anniversary at 3 pm.

TO JOIN US FOR SUNDAY BRUNCH:
Please contact Rewa Colette Soltan
858.459.3724 ext. 206
RSoltan@LJMS.org.

Pre-concert Prelude and performance immediately following at UC San Diego Department of Music’s Conrad Prebys Concert Hall.


KALICHSTEIN-LAREDO-ROBINSON TRIO: 40th Anniversary
Aug 13 @ 3:00 pm
KALICHSTEIN-LAREDO-ROBINSON TRIO: 40th Anniversary @ UC San Diego Department of Music’s Conrad Prebys Concert Hall | San Diego | California | United States

SUMMERFEST 2017

KALICHSTEIN-LAREDO-ROBINSON TRIO: 40th Anniversary

Wish a happy 40th anniversary to America’s internationally-lauded piano trio, as they gift SummerFest with the new work written for them by Ellen Taaffe Zwilich, as well as profoundly moving trios by Mendelssohn and Brahms.

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ELLEN TAAFFE ZWILICH Pas de Trois (2016)
MENDELSSOHN Piano Trio No. 2 in C Minor, Opus 66
BRAHMS Piano Trio No. 1 in B Major, Opus 8
Kalichstein-Laredo-Robinson Trio
Program Notes

WATCH!

BEETHOVEN: Piano Trio in G Major Op.1 No.2
IV. Finale. Presto
Kalichstein-Laredo-Robinson Trio


MUSICAL PRELUDE 2 PM

Ulysses Quartet performs Debussy’s String Quartet in G Minor, Op. 10

Aug
15
Tue
BEETHOVEN’S VIOLIN SONATAS I
Aug 15 @ 8:00 pm
BEETHOVEN'S VIOLIN SONATAS I @ UC San Diego Department of Music’s Conrad Prebys Concert Hall | San Diego | California | United States

SUMMERFEST 2017

BEETHOVEN I

Tuesday, August 15 at 8 PM
UC SAN DIEGO DEPT. OF MUSIC’S CONRAD PREBYS CONCERT HALL

Violinist (and SummerFest Music Director) Cho-Liang Lin and pianist Jon Kimura Parker inaugurate a four-concert journey through some of the most profound
and beautifully-moving music written by Beethoven, history’s
most-acclaimed composer.

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BEETHOVENViolin Sonata No. 8 in G Major, Opus 30 , No. 3
BEETHOVEN Violin Sonata No. 6 in A Major, Opus 30, No. 1
BEETHOVEN Violin Sonata No. 7 in C Minor, Opus 30, No. 2
Cho-Liang Lin, violin; Jon Kimura Parker, piano
Program Notes

WATCH!

CHO-LIANG LIN: MEET THE PROS – The Juilliard School, VC 20 Questions


PRELUDE 7 PM
Lecture by Nuvi Mehta
In the first of two lectures, Nuvi Mehta – himself a gifted violinist as well as music scholar – explores three of Beethoven’s Violin Sonatas, examining the astonishing freedom and spontaneity with which Beethoven developed a revolutionary compositional language that was to change music forever afterward.

Aug
16
Wed
BEETHOVEN’S VIOLIN SONATAS II
Aug 16 @ 8:00 pm
BEETHOVEN'S VIOLIN SONATAS II @ UC San Diego Department of Music’s Conrad Prebys Concert Hall | San Diego | California | United States

SUMMERFEST 2017

BEETHOVEN II

Wednesday, August 16 at 8 PM
UC SAN DIEGO DEPT. OF MUSIC’S CONRAD PREBYS CONCERT HALL

The sublime “Kreutzer” sonata is the capstone for the second stop on this four-concert journey through Beethoven’s genius, performed violinist Jennifer Koh and pianist Shai Wosner.

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BEETHOVENViolin Sonata No. 1 in D Major, Opus 12, No. 1
BEETHOVEN Violin Sonata No. 2 in A Major, Opus 12, No. 2
BEETHOVEN Violin Sonata No. 9 in A Major, Opus 47 “Kreutzer”
Jennifer Koh, violin; Shai Wosner, piano
Program Notes

WATCH!

JENNIFER KOH: Violinist Jennifer Koh discusses her process for preparing a new piece


PRELUDE 7 PM

Lecture by Nuvi Mehta
The composition of Beethoven’s Violin Sonatas spans only fifteen years. Nuvi Mehta outlines the development of the characteristics that propelled Beethoven’s work toward the powerful combination of mastery and mystery found in the famous Opus 47 “Kreutzer” Sonata, a work that broke boundaries in both beauty and bravado.

Aug
17
Thu
ENCOUNTER: SF 2017
Aug 17 @ 12:30 pm – 2:00 pm
ENCOUNTER: SF 2017 @ Athenaeum Music & Arts Library | San Diego | California | United States

BEETHOVEN III:
hosted by Marcus Overton

Join us for this special performance Encounter, hosted by Marcus Overton, the third in our four-concert series performing the complete Beethoven Violin Sonatas, featuring Jennifer Koh, Tien-Hsin Cindy Wu and the Rodin Trio.

BEETHOVENViolin Sonata No. 5 in F Major, Opus 24
Jennifer Koh, violin; Scott Cuellar, piano
BEETHOVEN Piano Quartet in E-flat Major, Opus 16
(arr. of Quintet for Piano and Winds, Opus 16)
Tien-Hsin Cindy Wu, viola; Rodin Trio

Limited seating available, on a first-come first-served basis.
Artists and programs are subject to change.


Aug
18
Fri
BEETHOVEN’S VIOLIN SONATAS IV
Aug 18 @ 8:00 pm
BEETHOVEN'S VIOLIN SONATAS IV @ UC San Diego Department of Music’s Conrad Prebys Concert Hall | San Diego | California | United States

SUMMERFEST 2017

BEETHOVEN IV

Friday, August 18 at 8 PM
UC SAN DIEGO DEPT. OF MUSIC’S CONRAD PREBYS CONCERT HALL

SummerFest favorite, violinist Yura Lee, and Chamber Music Society of Lincoln Center pianist Gilles Vonsattel complete this SummerFest first-ever performance
of the complete Beethoven violin-piano sonatas.

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BEETHOVENViolin Sonata No. 3 in E-flat Major, Opus 12, No. 3
BEETHOVEN Violin Sonata No. 4 in A Minor, Opus 23
BEETHOVEN Violin Sonata No. 10 in G Major, Opus 96
Yura Lee, violin, Gilles Vonsattel, piano
Program Notes

WATCH!

YURA LEE: Violinist/violist Yura Lee, recipient of an Avery Fisher Career Grant in 2007, is enjoying a career that spans almost two decades and takes her all over the world.


Aug
19
Sat
OPEN REHEARSAL: SF 2017
Aug 19 @ 1:50 pm – 3:00 pm
OPEN REHEARSAL: SF 2017 @ UC San Diego Department of Music’s Conrad Prebys Concert Hall | San Diego | California | United States

OPEN REHEARSAL
Special Guest: Michelle Kim

1:40 PM DOORS OPEN
1:50 PM REHEARSAL STARTS

Haochen Zhang, Cho-Liang Lin, Michelle Kim, Paul Neubauer and Clive Greensmith rehearse Elgar’s Piano Quintet in A Minor, Op. 84

Doors will open 10 minutes prior to the start time listed below for each rehearsal. These are working rehearsals and no entry is allowed once they have begun.


AN EVENING WITH THE REGINA CARTER QUARTET
Aug 19 @ 8:00 pm
AN EVENING WITH THE REGINA CARTER QUARTET @ UC San Diego Department of Music’s Conrad Prebys Concert Hall | San Diego | California | United States

SUMMERFEST 2017

AN EVENING WITH THE REGINA CARTER QUARTET

THE REIGNING QUEEN OF JAZZ VIOLIN
Regina Carter is an extraordinary violinist, a certified genius. The Los Angeles Times calls her “a talented, charismatic player who is almost single-handedly reviving interest in the violin as a jazz instrument.” Wherever this Grammy® nominated violinist performs, she takes her audiences with her on a journey through tradition and creativity.

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A little more information…
Regina Carter is an extraordinary violinist, a certified genius. The Los Angeles Times calls her “a talented, charismatic player who is almost single-handedly reviving interest in the violin as a jazz instrument.” Wherever this Grammy® nominated violinist performs, she takes her audiences with her on a journey through tradition and creativity.


Program to be announced from stage.Regina Carter Quartet

WATCH!

REGINA CARTER: ‘I’m Going Home,’ Live On Soundcheck


PRELUDE 7 PM

Join us for an interview with Regina Carter hosted by Marcus Overton

Aug
20
Sun
SUNDAY BRUNCH: August 20
Aug 20 @ 11:30 am – 1:30 pm

La Valencia

SummerFest 2017 Sunday Brunch
August 20 at La Valencia Hotel

$40 per person all inclusive

Join SummerFest Artists and fellow concert-goers for Sunday Brunch and festive libations prior to the afternoon concert.
See the program and artists performing on August 20: Summer Serenades at 3 pm.

TO JOIN US FOR SUNDAY BRUNCH:
Please contact Rewa Colette Soltan
858.459.3724 ext. 206
RSoltan@LJMS.org.

Pre-concert Prelude and performance immediately following at UC San Diego Department of Music’s Conrad Prebys Concert Hall.


SUMMER SERENADES
Aug 20 @ 3:00 pm
SUMMER SERENADES @ UC San Diego Department of Music’s Conrad Prebys Concert Hall | San Diego | California | United States

SUMMERFEST 2017

SUMMER SERENADES

Wind virtuosi will take you on a musical journey. From the British genteel and aristocratic atmosphere of Elgar to the rarely heard Gemini Variations by Britten. This program brims with disarming quirks and unexpected charms, concluding with Dvořák Serenade for Winds, one of the greatest works for winds since the Mozart Serenade.

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BRITTEN Gemini Variations for Flute, Violin and Piano 4- Hands, Opus 73
Catherine Ransom Karoly, flute; Michelle Kim, violin; Haochen Zhang, Scott Cuellar, piano
ELGARPiano Quintet in A Minor, Opus 84
Haochen Zhang, piano; Cho-Liang Lin, Michelle Kim, violins; Paul Neubauer, viola; Clive Greensmith, cello
DVOŘÁK Serenade for Winds and Strings in D Minor, Opus 44
Nathan Hughes, Laura Griffiths, oboes; Anthony McGill, Sheryl Renk, clairinets; Keith Buncke, Ryan Simmons, bassoons; Leyla Zamora, contrabassoon; Keith Popejoy, Tricia Skye, Mike McCoy, horns; Joshua Halpern, cello; Nico Abondolo, bass
Program Notes

WATCH!

DVOŘÁK: Serenade in D Minor for Wind, Cello and Bass, Op. 44
1. Moderato quasi marcia
Orchestra Academy Ossiach and Ensemble Berlin


MUSICAL PRELUDE 2 PM
Rodin Trio performs Beethoven’s Piano Trio in D Major, Op. 70, No. 1

Aug
21
Mon
OPEN REHEARSAL: SF 2017
Aug 21 @ 2:20 pm – 3:30 pm
OPEN REHEARSAL: SF 2017 @ UC San Diego Department of Music’s Conrad Prebys Concert Hall | San Diego | California | United States

OPEN REHEARSAL
Special Guest: Haochen Zhang

2:10 PM DOORS OPEN
2:20 PM REHEARSAL STARTS

Haochen Zhang, Nathan Hughes, Anthony McGill, Keith Buncke and Jennifer Montone rehearse Mozart’s Quintet for Piano and Winds in E-flat Major, K.452

Doors will open 10 minutes prior to the start time listed below for each rehearsal. These are working rehearsals and no entry is allowed once they have begun.


Aug
22
Tue
MOZART’S ENCHANTMENT
Aug 22 @ 8:00 pm
MOZART'S ENCHANTMENT @ UC San Diego Department of Music’s Conrad Prebys Concert Hall | San Diego | California | United States

SUMMERFEST 2017

MOZART’S ENCHANTMENT

Mozart – the very word embodies the experience of sublime beauty. The Quintet for Winds and Piano is an astonishing rarity; few composers tackled this combination. The Divertimento for string trio – a pinnacle of human creativity. The Flute Quartet, featuring SummerFest veteran Catherine Ransom Karoly, an immersion in sheer pleasure.

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MOZARTFlute Quartet No. 3 in C Major, K. 285b
Catherine Ransom Karoly, flute; Michelle Kim, violin; Colin Brookes, cello
MOZARTQuintet for Piano and Winds in E-flat Major, K.452
Haochen Zhang, piano; Nathan Hughes, oboe; Anthony McGill, clarinet; Keith Buncke, bassoon; Jennifer Montone, horn
MOZARTDivertimento in E-flat Major, K.563
Eugene Drucker, violin; Paul Neubauer, viola; Clive Greensmith, cello
Program Notes

WATCH!

MOZART: Quintet for Piano and Winds in E flat K452
Caspar Frantz, piano; Chris Richards, clarinet; Joost Bosdijk, bassoon; Katy Woolley, horn; Olivier Stankiewic, oboe
recorded live during the Whittington International Chamber Music Festival (Shropshire UK) May 2016 supported using public funding by Arts Council England


Aug
23
Wed
ENCOUNTER: SF 2017
Aug 23 @ 12:30 pm – 2:00 pm
ENCOUNTER: SF 2017 @ Athenaeum Music & Arts Library | San Diego | California | United States

FORGING A CONCERT CAREER:
hosted by Leah Rosenthal

Join us for a panel discussion featuring Keith Buncke, Nathan Hughes, Catherine Ransom Karoly and Anthony McGill from the country’s leading orchestras.

Limited seating available, on a first-come first-served basis.
Artists and programs are subject to change.


AN EVENING WITH ALISA WEILERSTEIN
Aug 23 @ 8:00 pm
AN EVENING WITH ALISA WEILERSTEIN @ UC San Diego Department of Music’s Conrad Prebys Concert Hall | San Diego | California | United States

SUMMERFEST 2017

AN EVENING WITH ALISA WEILERSTEIN

One of today’s reigning instrumental soloists world-wide, cellist Alisa Weilerstein returns to SummerFest. Clarinetist Anthony McGill and pianist Inon Barnatan join Alisa for the shimmering autumnal profundities of the Brahms’ Clarinet Trio and the brooding power of Brahms’ Piano Quintet.

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J.S.BACHCello Suite No.3 in C Major, BWV 1009
Alisa Weilerstein, cello
BRAHMSClarinet Trio in A Minor, Opus 114
Anthony McGill, clarinet; Alisa Weilerstein, cello; Inon Barnatan, piano
BRAHMSPiano Quintet in F Minor, Op. 34
Eugene Drucker, Michelle Kim, violins; Paul Neubauer, viola; Alisa Weilerstein, cello; Inon Barnatan, piano
Program Notes

WATCH!

J.S. BACH: Cello Suite No.3 in C Major, BWV 1009, Gigue
Alisa Weilerstein


Aug
25
Fri
FINALE WITH DAVID ZINMAN
Aug 25 @ 8:00 pm
FINALE WITH DAVID ZINMAN @ Irwin M. Jacobs Qualcomm Hall  | San Diego | California | United States

SUMMERFEST 2017

FINALE WITH DAVID ZINMAN

An All-Star SummerFest chamber orchestra led by American conductor, David Zinman, whose career has embodied the style-spanning virtuosity and propulsive energy that are our country’s artistic trademark brings SummereFest’s 31st season to a close – and a fitting occasion to look forward to a transformed future.

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STRAVINSKY"Dumbarton Oaks" Concerto
HAYDNSinfonia Concertante
Michelle Kim, violin; Clive Greensmith, cello; Nathan Hughes, oboe; Keith Buncke, bassoon
BEETHOVENSymphony No. 7 in A Major, Op. 92
Michelle Kim, Cho-Liang Lin, concertmasters; Rhiannon Banerdt, Christina Bouey, Armen Dekevorkian, Bridget Dolkas, Kathryn Hatmaker, Joanna Lee, Philip Marten, Alyssa Park, Jeanne Skrocki, Roger Wilkie, violins; Paul Neubauer, Colin Brookes, Caterina Longhi, Travis Maril, violas; Clive Greensmith, Chia-Ling Chien, Alex Greenbaum, Joshua Halpern, Grace Ho, cellos; Nico Abondolo, Samuel Hager, basses; Catherine Ransom Karoly, Pamela Vliek Marchev, flutes; Nathan Hughes, Laura Griffiths, Andrea Overturf, oboes; Anthony McGill, Sheryl Renk, clarinets; Keith Buncke, Ryan Simmons, Leyla Zamora,
bassoons
; Jennifer Montone, Keith Popejoy, horns; David Washburn, Jennifer Marotta, trumpets; Jason Ginter, timpani
Program Notes

WATCH!

Symphony No. 7 in A Major, Op. 92
David Zinman, conductor; Berliner Philharmoniker


PRELUDE 7 PM

Join us for an interview with Maestro David Zinman hosted by Music Director Cho-Liang Lin

Oct
18
Wed
CHICAGO SYMPHONY ORCHESTRA
Oct 18 @ 1:00 pm

Chicago Symphony Orchestra

Riccardo Muti, Zell Music Director
Stephen Williams, clarinet

Hailed as one of the greatest orchestras in the world, the multi Grammy® Award-winning Chicago Symphony Orchestra returns to San Diego for an extraordinary evening of music making led by celebrated Italian maestro Riccardo Muti.

Wednesday, October 18, 2017 @ 8:00 pm
Jacobs Music Center – Copley Symphony Hall
750 B St, San Diego, CA 92101

Chicago Symphony Orchestra

© Todd Rosenberg Photography


PROGRAM

SCHUBERTSymphony No. 8 in B Minor, D.759 “Unfinished”
MOZARTClarinet Concerto in A Major, K.622
       Stephen Williamson, clarinet
SCHUMANNSymphony No. 2 in C Major, Op. 61

PRELUDE @ 7:00 pm
Arrive early for a pre-performance lecture by Michael Gerdes

The Chicago Symphony Orchestra (CSO) is consistently hailed as one of the greatest orchestras in the world. Its music director since 2010 is Riccardo Muti, one of the preeminent conductors of our day. Founded in 1891 by its first music director, Theodore Thomas, the CSO’s other illustrious music directors include Frederick Stock, Désiré Defauw, Artur Rodzinski, Rafael Kubelík, Fritz Reiner, Jean Martinon, Sir Georg Solti, and Daniel Barenboim. From 2006 to 2010, Bernard Haitink served as principal conductor, the first in CSO history. Pierre Boulez was appointed principal guest conductor in 1995 and then named Helen Regenstein Conductor Emeritus in 2006, a position he held until his death in January 2016. Celebrated cellist Yo-Yo Ma was appointed the CSO’s Judson and Joyce Green Creative Consultant in 2010. Samuel Adams and Elizabeth Ogonek were appointed the CSO’s Mead Composers-in-Residence in 2015.
The renowned musicians of the CSO command a vast repertoire that spans from baroque to new music. They annually perform more than 150 concerts, most at Symphony Center in Chicago, and, since 1936, in the summer at the Ravinia Festival. The CSO also tours nationally and internationally. Since its first tour to Canada in 1892, the Orchestra has performed in 29 countries on five continents during 60 international tours.

Since 1916, recording has been significant in establishing the Orchestra’s international reputation, with recordings by the CSO earning a total of 62 Grammy awards from the National Academy of Recording Arts and Sciences. In 2007, the CSO launched an independent label, CSO Resound. The 2010 release of Verdi’s Messa da Requiem was recognized with two Grammy awards. Listeners and fans around the world can hear the CSO in weekly airings of the CSO Radio Broadcast Series, which is syndicated on the WFMT Radio Network and online at CSO.org/Radio. In addition, the CSO’s YouTube video of Beethoven’s Symphony no. 9, conducted by Muti, has received over seven million views.

Annually, the CSO engages more than 200,000 people of diverse ages, incomes, and backgrounds through the innovative programs of the Negaunee Music Institute at the CSO. The Institute also manages the Civic Orchestra of Chicago, the only pre-professional training ensemble of its kind affiliated with a major American orchestra.

The parent organization for the CSO is the Chicago Symphony Orchestra Association (CSOA), which also includes the acclaimed Chicago Symphony Chorus, directed by Duain Wolfe. Under the banner of its presentation series, entitled Symphony Center Presents, the CSOA annually presents dozens of prestigious guest artists and ensembles from a variety of musical genres—classical, jazz, pop, world, and contemporary.

Thousands of patrons, volunteers, and donors—corporations, foundations, government agencies and individuals—support the CSOA each year. The CSO’s music director position is endowed in perpetuity by a generous gift from the Zell Family Foundation. The Negaunee Foundation provides generous support in perpetuity for the work of the Negaunee Music Institute.

Bank of America is the Global Sponsor of the CSO.

Oct
29
Sun
CROSSCURRENTS
Oct 29 @ 1:00 pm

CROSSCURRENTS
Featuring ZAKIR HUSSAIN, DAVE HOLLAND, CHRIS POTTER, SHANKAR MAHADEVAN, LOUIZ BANKS, SANJAY DIVECHA & GINO BANKS

Bridging both directions of inspiration between jazz and the music of India, Crosscurrents is an international super-group led by 2017 NEA Jazz Master and Grammy® Award-winning bassist Dave Holland and the world’s foremost tabla virtuoso, Zakir Hussain. Joining the duo onstage is acclaimed saxophone player Chris Potter and renowned composer/vocalist Shankar Mahadevan.

Sunday, October 29, 2017 @ 8:00 pm
Balboa Theatre
868 Fourth Avenue, San Diego, CA 92101

Crosscurrents
Photo courtesy of RNH Events

Jazz 88.3 FM is a proud media sponsor of Crosscurrent’s La Jolla Music Society performance.

Zakir Hussain says of Crosscurrents, “The influence of Indian classical music on jazz is widely known. Less known, however, is the influence of jazz on the popular music of India. Jazz first came to India by way of the Hollywood musicals of the 1930s and’ 40s and quickly influenced the music of India’s burgeoning film industry. The improvisational nature of jazz was familiar to Indian composers and musicians, who found a way to incorporate jazz harmonies and chord progressions into their work. As a few decades passed, and as the West was enjoying the inspiration of Indian classical music, certain musicians came to influence popular music in India in a big way. Among these are jazz pianist Louiz Banks, jazz guitarist Sanjay Divecha, and superstar composer/vocalist Shankar Mahadevan.”

CROSSCURRENTS
Zakir Hussain, tabla
Dave Holland, bass
Chris Potter, saxophone
Shankar Mahadevan, vocals
Louiz Banks, keyboards
Sanjay Divecha, guitar
Gino Banks, drums


Program to be announced from stage.

Zakir Hussain

ZAKIR HUSSAIN
Biography coming soon. Check the artist website for more information.


Dave Holland

DAVE HOLLAND
Biography coming soon. Check the artist website for more information.


Chris Potter

CHRIS POTTER
Biography coming soon. Check the artist website for more information.


Nov
5
Sun
2017 VAN CLIBURN GOLD MEDALIST
Nov 5 @ 7:00 am
2017 VAN CLIBURN GOLD MEDALIST @ The Auditorium at TSRI | San Diego | California | United States

2017 Van Cliburn Gold Medalist

Yekwon Sunwoo (South Korea) was announced as the Gold Medalist on June 10, 2017 at the Van Cliburn Competition Awards Ceremony in Fort Worth, Texas

Sunday, November 5, 2017 @ 3:00 pm
The Auditorium at TSRI
10620 John J Hopkins Dr
San Diego,CA 92121


WATCH!

RACHMANINOFF: Piano Concerto No. 3 in D Minor, Op. 3
Yekwon Sunwoo (South Korea) – Final Concerto Performance

Catch all the medalists’ Competition performances as well as interviews and profiles, and other behind the scenes looks at: http://cliburn2017.medici.tv/en/


MOZARTRomance in A-flat Major, KAnh.205
Rondo in A Minor, K.511
Pinao Sonata in C Major, K.330
SCHUBERTMoments musicaux, D.780
RAVELLa valse
View Program Book

Musical Prelude 2 PM

Artists from the San Diego Youth Symphony and Conservatory will perform.

 

Nov
11
Sat
RICHARD GOODE
Nov 11 @ 8:00 pm
RICHARD GOODE @ Irwin M. Jacobs Qualcomm Hall | San Diego | California | United States

RICHARD GOOODE, piano

Legendary pianist Richard Goode brings a virtuosic program of works by J.S. Bach, Chopin, Beethoven and Schoenberg. He has been hailed for music-making of tremendous emotional power, depth and expressiveness, and has been acknowledged worldwide as one of today’s leading interpreters of Classical and Romantic music.

“Every time we hear him, he impresses us as better than we remembered, surprising us, surpassing our expectations and communicating perceptions that stay in the mind” — Gramophone

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J.S. BACH Four Preludes and Fugues from The Well-Tempered Clavier
SCHOENBERGSix Little Piano Pieces, Op. 19
BEETHOVENSonata in E-flat Major, Op. 81a
CHOPINSelection of Nocturnes, Mazurkas and Preludes
CHOPINBarcarolle in F-sharp Major, Op. 60

Dec
2
Sat
SOME OF A THOUSAND WORDS
Dec 2 @ 8:00 pm
SOME OF A THOUSAND WORDS @ Balboa Theatre | San Diego | California | United States

Some of a Thousand Words
Wendy Whelan / Brian Brooks / Brooklyn Rider

Choreographer Brian Brooks is beloved for his “kinetic thrill and visual power” (The Washington Post), while former New York City Ballet star and principal dancer Wendy Whelan is “riveting, interesting, unusual, intelligent” (The New York Times). LJMS audiences will remember Restless Creature, their winning collaboration in 2015. This Season they return with new solos and duets, full of elegance and electricity, amplified by the remarkable live music of string quartet Brooklyn Rider, hailed as “the future of chamber music” (Strings Magazine).

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Program Notes will be available from December 1, 2017

POSTLUDE – Immediately following the performance Marcus Overton hosts a discussion with Wendy Whelan, Brian Brooks and members from Brooklyn Rider


Wendy-WhelanWendy Whelan was born and raised in Louisville, Kentucky, where at the age of three she began taking dance classes with Virginia Wooton, a local teacher. At age eight she performed as a mouse with the Louisville Ballet in its annual production of The Nutcracker. Joining the Louisville Ballet Academy that year, she began intense professional training. In 1981 she received a scholarship to the summer course at the School of American Ballet (SAB), the official school of New York City Ballet and a year later she moved to New York to become a full-­‐time student there. She was invited to become a member of the New York City Ballet corps de ballet in 1986 and was promoted to principal dancer in 1991. Whelan has performed a wide spectrum of the Balanchine repertory and worked closely with Jerome Robbins on many of his ballets. She has originated featured roles in 13 ballets for Christopher Wheeldon, as well as in the ballets of William Forsythe, Alexei Ratmansky, Wayne McGregor, Jorma Elo, Shen Wei, Jerome Robbins and Twyla Tharp. In 2007, Whelan was nominated for an Olivier Award and a Critics Circle Award for her performances with Morphoses/Wheeldon Company. She has been a guest artist with The Royal Ballet and with the Kirov Ballet. She received the 2007 Dance Magazine Award, and in 2009 was given a Doctorate of Arts, honoris causa, from Bellarmine University. In 2011, she was honored with both The Jerome Robbins Award and a Bessie Award for her Sustained Achievement in Performance.

In 2012, Whelan began developing new collaborative projects. Her inaugural project, Restless Creature, which premiered at Jacob’s Pillow Dance Festival in August of 2013, is a suite of four duets, created by and danced with four of todays most cutting edge contemporary dancer/choreographers, Kyle Abraham, Joshua Beamish, Brian Brooks and Alejandro Cerrudo. Restless Creature will travel to London and Vail in 2014 and will tour in the US starting in January 2015. Whelan was recently appointed an Artistic Associate at New York's City Center and for two years beginning November 1, 2014, City Center will be her home for developing future projects. She resides in New York City with her husband, the artist David Michalek.

Wendy Whelan last performed for La Jolla Music Society in the Dance Series on January 30, 2015

For more information visit www.nycballet.com


Choreographer Brian Brooks was awarded with a 2013 Guggenheim Fellowship. He is a proud recipient of the NY City Center Fellowship (2012-2013), the Jerome Robbins New Essential Works grant (2013), and the Joyce Theater’s Artist Residency (2013-2014).

His interest in choreography emerged at a young age while growing up in Hingham, MA, and was supported with a scholarship to train at Boston’s Jeannette Neill Dance Studio when he was 17. Since moving to New York City in 1994, he has danced with numerous choreographers, including three years with daredevil Elizabeth Streb.

His dance group, the Brian Brooks Moving Company, has been presented throughout the US, South Korea and in Germany, and was presented by BAM in their 2013 Next Wave Festival. The company will be presented by The Joyce Theater in June 2015. Other NYC presentations have included repeat engagements at Dance Theater Workshop (currently NYLiveArts), a world premiere at the Lincoln Center Out of Doors Festival, as well as presentations in the Fall for Dance festival at NY City Center and performances in the Works and Process series at the Guggenheim Museum. For three consecutive years, Brooks has been commissioned by Damian Woetzel at the Vail International Dance Festival to create new works featuring dancers from NYC Ballet. Brooks choreographed director Julie Taymor’s production of A Midsummer Night’s Dream (2013), which was the inaugural performance at Theatre for a New Audience’s Brooklyn home. As a guest artist, Brooks has created new dances at schools including The Juilliard School, The Boston Conservatory, Skidmore College, Barnard College of Columbia University, Alfred University, and the University of Maryland at College Park. He has served as parttime faculty at both Rutgers University and Princeton University, and was a Teaching Artist at the Lincoln Center Institute from 1999 to 2012.

Brian Brooks last performed for La Jolla Music Society in the Dance Series on January 30, 2015.


Brooklyn Rider Check the artist website for more information. Biography coming soon.

Dec
17
Sun
DIANNE REEVES: Christmas Time Is Here
Dec 17 @ 8:00 pm
DIANNE REEVES: Christmas Time Is Here @ Balboa Theatre | San Diego | California | United States

DIANNE REEVES:
Christmas Time Is Here

WITH PETER MARTIN, ROMERO LUBAMBO,
REGINALD VEAL AND TERREON GULLY

The pre-eminent jazz vocalist in the world, Grammy® Award-winning singer Dianne Reeves rings in the holiday season with music from her celebrated album, Christmas Time Is Here. Renowned for her breathtaking
virtuosity, improvisational prowess, and unique jazz and R&B stylings, she melds her timeless grace, elegance, and charisma into unforgettable jazz renditions of holiday favorites such as “Little Drummer Boy”, “Carol of the Bells”, “Christmas Waltz”, “I’ll Be Home For Christmas”, “Let It Snow” and many more. “Fascinating… A bygone era evoked!” – The New York Times

“Ms. Reeves, a jazz singer of astonishing skill”, takes the assignment seriously; this is one of the best jazz Christmas CD’s I’ve ever heard.” – The New York Times

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Program Notes will be available from December 16, 2017

Dianne ReevesDianne Reeves is the pre-eminent jazz vocalist in the world today — her arsenal of talents is richly on display in each and every song of her limitless repertoire. As a result of her virtuosity, improvisational prowess and unique jazz and R&B stylings, Dianne has received five Grammy Awards for Best Jazz Vocal Album and an honorary doctorate of music from Julliard. Dianne’s magical, timeless voice, exceptional personality and the sheer force of her performance mark her as a captivating world-class artist. Wynton Marsalis exclaims, “She has one of the most powerful, purposeful, and accurate voices of this or any time.” Dianne’s recent Grammy Award winning album, Beautiful Life, epitomizes the spirit of her storied and extraordinary career, traversing many genres and collaborating with a diverse collection of artists. Adored by audiences and critics alike throughout the world, Dianne Reeves is a natural wonder not to be missed. This performance marks Dianne Reeves La Jolla Music Society debut.

Jan
7
Sun
IGOR LEVIT
Jan 7 @ 6:00 pm
IGOR LEVIT @ The Auditorium at TSRI | San Diego | California | United States

IGOR LEVIT, piano

Hailed by The New York Times as “One of the essential artists of his generation,” Russian pianist Igor Levit makes his La Jolla Society debut.

Winner of Gramophone’s 2016 Recording of the Year and one of the most sought-after young artists of this generation, he brings a program featuring diverse works that include Brahms’ virtuosic Chaconne in D Minor for the Left Hand (after Bach’s Partita for Solo Violin, BWV 1004), Wagner’s Solemn March to The Holy Grail transcribed from his opera, Parsifal and Shostakovich’s Preludes and Fugues for Piano.

“He is set to be one of this century’s big names.” — The Telegraph, London

“…one of the most probing, intelligent and accomplished artists of the new generation.” — The New York Times

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BRAHMS Chaconne in D Minor for the Left Hand (after Bach’s Partita for Solo Violin, BWV 1004)
SHOSTAKOVICHPreludes and Fugues for Piano, Op. 87
SCHUMANNGeistervariationen, WoO 24
WAGNERSolemn March to The Holy Grail from Parsifal, S.450
LISZTFantasy and Fugue on the Chorale “Ad nos ad salutarem undam”

Program Notes will be available from January 6, 2018

PRELUDE 5:00 PM
Arrive early for a pre-performance lecture

Igor Levit Winner of Gramophone’s ‘Recording of the Year 2016” award, Igor Levit manifests his position as one of the most relevant pianists of his generation – as an artist “built to last” (The Guardian).

The 2016-17 season marks Igor Levit’s debuts with the Staatskapelle Dresden (Christian Thielemann), the Bavarian State Orchestra (Kirill Petrenko) and London Symphony Orchestra (Fabio Luisi) and reunites him amongst others with the Danish National Symphony Orchestra (Sondergard), NDR Elphilharmonie Orchestra (Thomas Hengelbrock), Tonhalle Orchestra Zurich (Lionel Bringuier) and San Francisco Symphony (Fabio Luisi).

Major recital debuts await at Carnegie Hall (Zankel Hall), Chicago’s Symphony Center, Boston’s Celebrity Series as well as at Amsterdam’s Concertgebouw and with Lisbon’s Gulbenkian Foundation. Also in recital, Igor Levit returns to the Lucerne Festival, Zurich’s Tonhalle, Laeiszhalle Hamburg and Cologne Philharmonie. The season will further see the start of full Beethoven sonata cycles at London’s Wigmore Hall and at the Palais des Beaux-Arts in Brussels. He will perform the trias of variation works, Bach’s Goldberg Variations, Beethoven’s Diabelli Variations and Rzewski’s The People United Will Never Be Defeated, in his home town Hannover as well as in his adoptive home town at the Berlin Philharmonie. In October 2015, Sony Classical released Igor Levit’s third solo album for the label featuring all three variation works in cooperation with the Festival Heidelberger Frühling. The album has been voted Gramophone’s Instrumental Award winner 2016.

Highlights of past seasons included orchestral debuts with the Bavarian Radio Symphony Orchestra (Lionel Bringuier), Berliner Philharmoniker (Riccardo Chailly), Cleveland Orchestra (Franz Welser-Möst) and National Symphony Orchestra (Jiří Bělohlávek). In spring 2014, Igor Levit celebrated both his recital and orchestral debut on the main stage of Vienna’s Musikverein to great critical acclaim: jumping in for Maurizio Pollini in June 2014 and for Hélène Grimaud (City of Birmingham Symphony Orchestra with Andris Nelsons) respectively in March 2014. Only four days earlier on 12 March 2014, Igor Levit made his New York City recital debut at the Park Avenue Armory to unsurpassed critical acclaim by both The New Yorker and The New York Times.

An exclusive recording artist for Sony Classical, Igor Levit’s debut disc of the five last Beethoven Sonatas won the BBC Music Magazine Newcomer of the Year 2014 Award, the Royal Philharmonic Society’s Young Artist Award 2014 and the ECHO Klassik 2014 for Solo Recording of the Year (19th Century Music/Piano). Born in Nizhni Nowgorod in 1987, Igor Levit at age eight moved with his family to Germany where he completed his piano studies at Hannover Academy of Music, Theatre and Media in 2009 with the highest academic and performance scores in the history of the institute. Igor Levit has studied under the tutelage of Karl-Heinz Kämmerling, Matti Raekallio, Bernd Goetze, Lajos Rovatkay and Hans Leygraf.

As youngest participant in 2005 Arthur Rubinstein Competition in Tel Aviv, Igor Levit won the Silver Prize, the Prize for Best Performer of Chamber Music, the Audience Favorite Prize and the Prize for Best Performer of Contemporary Music. Previously, he had won the First Prize of the International Hamamtsu Piano Academy Competition in Japan. Since 2003 Igor Levit has been a scholarship student at Studienstiftung des Deutschen Volkes as well as at Deutsche Stiftung Musikleben.

In Berlin, where he makes his home, Igor Levit is playing on a Steinway D Grand Piano kindly lent to him by the Trustees of Independent Opera at Sadler’s Wells.

This performance marks Igor Levit's La Jolla Music Society debut.

Jan
13
Sat
SDYS CHAMBER ORCHESTRA
Jan 13 @ 7:00 pm
SDYS CHAMBER ORCHESTRA @ Irwin M. Jacobs Qualcomm Hall | San Diego | California | United States

SDYS CHAMBER ORCHESTRA

WORKS BY VIVALDI, BOCCHERINI AND MORE

La Jolla Music Society is proud to feature the gifted young musicians of SDYS’ Chamber Orchestra joined by guest soloist, guitarist Celino Romero, part of The Royal Family of Guitar, The Romeros. This multiyear collaboration highlights LJMS’ long-standing commitment to education and SDYS’ tradition of excellence and innovative programming.

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Program Notes will be available from January 13, 2017

SDYSChamber3Under the leadership of President and CEO Dalouge Smith and Music Director Jeff Edmons, San Diego Youth Symphony and Conservatory (SDYS) instills excellence in the musical and personal development of students ages 8 to 23 through rigorous and inspiring musical training experiences. Since 1945, SDYS has given thousands of musicians the opportunity to study and perform classical repertoire at a highly advanced level. SDYS attracts student musicians from throughout San Diego, Imperial and Riverside counties and serves over 600 students annually through its 12 ensembles.

The organization’s preeminent ensemble, the SDYS Chamber Orchestra is comprised of the principal and assistant principal musicians from the advanced level Ovation Program and rehearses at an extraordinarily proficient level for a youth program. Provided the finest training, the Chamber Orchestra is given the opportunity to perform professional level repertoire from multiple historic periods for both string orchestra and full chamber orchestra on a national and international stage. Most recently, select students of the San Diego Youth Symphony participated in SDYS’s 70th Anniversary tour to China and performed in Beijing’s Forbidden City Concert Hall, San Diego’s sister city Yantai’s Poly Grand Theatre and the Oriental Arts Center in Shanghai in June 2015.

SDYS Chamber Orchestra last performed at La Jolla Music Society in the San Diego Youth Symphony Series on December, 11 2015 San Diego Youth Symphony enjoys a successful partnership with LJMS.

For more information visit www.sdys.org


Jeff-EdmondUnder Jeff Edmons' direction, the Youth Symphony has experienced tremendous growth, both in enrollment and in level of musical achievement. Performing the most difficult works in classical repertoire, SDYS achieves the highest standard attainable by a youth orchestra. SDYS' exemplary standards of skill and musicianship have afforded it the opportunity to participate in the most prestigious international festivals and perform with eminent guest artists and musicians from around the world.

Under Mr. Edmons direction, the Youth Symphony boasts a strong international presence as well as setting a benchmark for excellence in the United States. San Diego Magazine named Jeff Edmons as "50 People to Watch in 1997."

Mr. Edmons has dedicated himself to promoting youth music and youth education. He has led youth, collegiate and professional orchestras in critically acclaimed performances throughout the United States, as well as Mexico, Spain, France, Germany, Austria, Finland, the Czech Republic, Slovakia, Hungary and Switzerland. He has received numerous local and national invitations and awards for his achievements in music education. Mr. Edmons has also been featured in articles and journals honoring his work and has been the subject of documentaries on CNN, Fox Television, National Public Radio and many more.

He studied violin performance with Michael Davis, former Concertmaster of the Scottish National Orchestra, String Pedagogy with renown Pedagogue Dr. Robert Gillespie, and he studied Wind, Brass,Percussion Pedagogy and Wind Ensemble conducting with Craig Kirchoff, Principal Guest Conductor of the Tokyo Wind Orchestra and past President and Chair of the National College Band Director's Association.

Jeff Edmons and the San Diego Youth Symphony enjoy a successful partnership with LJMS.

For more information visit www.sdys.org


Celino Romero

Check the artist website for more information. Biography coming soon.

Jan
20
Sat
PAUL TAYLOR DANCE COMPANY
Jan 20 @ 8:00 pm
PAUL TAYLOR DANCE COMPANY @ Spreckels Theatre | San Diego | California | United States

Paul Taylor Dance Company

MIXED REPERTOIRE PROGRAM FEATURING THE ICONIC WORK
CLOVEN KINGDOM

A national treasure, Paul Taylor Dance Company has been described as a stunning burst of momentum and a cascade of emotion, moving powerfully and powerfully moving. Paul Taylor’s enduringly popular works are a brilliant fusion of bravura dancing, profound emotional insight and glorious musicality that have brought audiences around the world equal measures of message and mastery.

Cloven Kingdom is set to John Herbert McDowell’s freewheeling arrangement – or disarrangement – of music by Arcangelo Corelli, Henry Cowell and Malloy Miller. Cloven Kingdom’s stunning Men’s Quartet will feature a special live percussion performance by Steven Schick and members of red fish blue fish as part of It’s About Time: A Festival of Rhythm. Sound. And Place.

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Program Notes will be available from January 19, 2018

PRELUDE 7 PM

Paul Taylor Dance Company

PAUL TAYLOR DANCE COMPANY
The Paul Taylor Dance Company, established in 1954, is one of the world’s most highly respected and sought-after ensembles. Dance maker Paul Taylor first presented his choreography with five other dancers in Manhattan on May 30, 1954. That modest performance marked the beginning of 60 years of unrivaled creativity, and in the decades that followed, Mr. Taylor became a cultural icon and one of history’s most celebrated artists, hailed as part of the pantheon that created American modern dance.

In 2014, Mr. Taylor announced the creation of a new initiative, Paul Taylor American Modern Dance, of which the Paul Taylor Dance Company is the major component. Mr. Taylor will curate the present great modern dances of the past and present alongside his own works at Lincoln Center and other prominent venues throughout the world, and commission a new generation of choreographers so that modern dance flourishes long into the future.

The Paul Taylor Dance Company and Taylor 2, created in 1993, have traveled the globe many times over, bringing Mr. Taylor’s ever-burgeoning repertoire to theatres and venues of every size and description in cultural capitals, on college campuses and in rural communities—and of ten to places modern dance has never been before. The Taylor Company has performed in more than 525 cities in 62 countries, representing the United States at arts festivals in more than 40 countries and touring extensively under the aegis of the U.S. Department of State. In 1997 the Company toured throughout India in celebration of that nation’s 50th Anniversary. Its 1999 engagement in Chile was named the Best International Dance Event of 1999 by the country’s Art Critics’ Circle. In the summer of 2001 the Company toured in the People’s Republic of China and performed in six cities, four of which had never seen American modern dance before. In the spring of 2003 the Company mounted an award-winning four-week, seven-city tour of the United Kingdom. The Company’s performance in china in November 2007 mark its fourth tour there.

While continuing to garner international acclaim, the Paul Taylor Dance Company performs more than half of each touring season in cities throughout the United States. The Company’s New York City season in 2005, marking its Anniversary, was attended by more than 25,000 people. In celebration of the Anniversary and 50 years of creativity y one of the most extraordinary artists the world has ever known, the Taylor Foundation presented Mr. Taylor’s work in all 50 states between March 2004 and November 2005. That tour underscored the Taylor Company’s historic role as one of the early touring companies of American modern dance. The 50th Anniversary celebration also featured a quartet of new dances. In 2012 the Company enjoyed a triumphant three-week season in its ne New York City performance venue, the David H. Koch Theater in Lincoln Center.

Beginning with its first television appearance for the Dance in America series in 1978, the Paul Taylor Dance Company has appeared on PBS in nine different programs, including the 1992 Emmy Award-winning Speaking in Tongues and The Wrecker’s Ball—including Company B, Funny Papers, and A Field of Grass—which was nominated for an Emmy Award in 1997. In 1999 the PBS American Masters series aired Dancemaker, the Academy Award-nominated documentary about Mr. Taylor and his Company. In 2004, PBS aired Acts of Ardor, featuring Black Tuesday and Promethean Fire. IN 2013 PBS aired Paul Taylor Dance Company in Paris, featuring Beloved Renegade and Brandenburgs. Dancemaker and Paul Taylor Dance Company in Paris are still available on DVD.

To learn more about Paul Taylor, please visit www.ptamd.org


PAUL TAYLOR, choreographer
Dancemaker Paul Taylor, one of the seminal artists of the 20th and 21st Centuries, continues to shape the homegrown American art of modern dance that he has helped define since he became a professional dancer and pioneering choreographer in 1954. After 60 years as Artistic Director of the Paul Taylor Dance Company, he blazed a new trail in 2014 by establishing an institutional home for the art form: Paul Taylor’s American Modern Dance. Mr. Taylor is curating and presenting great modern dances of the past and present alongside his own works at Lincoln Center and other preeminent venues throughout the world, and commissioning a new generation of choreographers to make dances on his own Company so that modern dance flourishes long into the future.

At an age when most artists’ best work is behind them, Mr. Taylor continues to win public and critical acclaim for the vibrancy, relevance and power of his dances. He offers cogent observations on life’s complexities while tackling some of society’s thorniest issues. While he may propel his dancers through space for the sheer beauty of it, he more frequently uses them to illuminate such profound issues as war, piety, spirituality, sexuality, morality and mortality. If, as George Balanchine said, there are no mothers-in-law in ballet, there certainly are dysfunctional families, disillusioned idealists, imperfect religious leaders, angels and insects in Mr. Taylor’s dances.

Paul Taylor was born on July 29, 1930 – exactly nine months after the stock market crash that led into the Great Depression – and grew up in and around Washington, DC. He attended Syracuse University on a swimming scholarship in the late 1940s until he discovered dance through books at the University library, and then transferred to The Juilliard School. In 1954 he assembled a small company of dancers and began to choreograph. A commanding performer despite his late start in dance, he joined the Martha Graham Dance Company in 1955 for the first of seven seasons as soloist while continuing to choreograph on his own troupe. In 1959 he was invited to be a guest artist with New York City Ballet, where Balanchine created the Episodes solo for him.

Mr. Taylor has made 142 dances since 1954, many of which have attained iconic status. He has covered a breathtaking range of topics, but recurring themes include life and death; the natural world and man’s place within it; love and sexuality in all gender combinations; and iconic moments in American history. His poignant looks at soldiers, those who send them into battle, and those they leave behind prompted the New York Times to hail him as “among the great war poets” – high praise indeed for an artist in a wordless medium. While some of his dances have been termed “dark” and others “light,” the majority of his works are dualistic, mixing elements of both extremes. And while his work has largely been iconoclastic, he has also made some of the most purely romantic, most astonishingly athletic, and downright funniest dances ever put on stage.

Mr. Taylor first gained notoriety as a dance maker in 1957 with Seven New Dances; its study in non-movement famously earned it a blank newspaper review, and Graham subsequently dubbed him the “naughty boy” of dance. In 1962, with his first major success – the sunny Aureole – he set his trailblazing modern movement not to a contemporary score but to music composed 200 years earlier, and then went to the opposite extreme a year later with a view of purgatory in Scudorama. He inflamed the establishment in 1965 by lampooning some of America’s most treasured icons in From Sea To Shining Sea, and created more controversy in 1970 by putting incest center stage in Big Bertha. After retiring as a performer in 1974, he created an instant classic, the exuberant Esplanade (1975), which remains his signature work. In Cloven Kingdom (1976) he examined the primitive nature that lurks just below man’s veneer of sophistication and gentility. He looked at intimacy among men at war in 1983 – long before “Don’t ask, don’t tell” became official policy – in Sunset; pictured Armageddon in Last Look (1985); and peered unflinchingly at religious hypocrisy and marital rape in Speaking In Tongues (1988). In Company B (1991) he used popular songs of the Andrews Sisters to juxtapose the high spirits of Americans during the 1940s with the sacrifices so many of them made during World War II. In The Word (1998), he railed against religious zealotry and blind conformity to authority. In the first decade of the new millennium he condemned American imperialism in Banquet of Vultures, poked fun at feminism in Dream Girls and stared death square in the face in the Walt Whitman-inspired Beloved Renegade. Brief Encounters (2009) and The Uncommitted (2011) each examined the inability of many men and women in contemporary society to form meaningful, lasting relationships.

Hailed for uncommon musicality and catholic taste, Mr. Taylor has set movement to music so memorably that for many people it is impossible to hear certain orchestral works and popular songs and not think of his dances. He has set works to an eclectic mix that includes Medieval masses, Renaissance dances, baroque concertos, classical symphonies, and scores by Debussy, Cage, Feldman, Ligeti and Pärt; Ragtime, Tango, Tin Pan Alley, Barbershop Quartets and The Mamas and The Papas; and telephone time announcements, loon calls, and laughter.

Mr. Taylor has influenced dozens of men and women who have gone on to choreograph – many on their own troupes – and many others have gone on to become respected teachers at colleges and universities. And he has worked closely with such outstanding artists as James F. Ingalls, Jasper Johns, Alex Katz, Ellsworth Kelly, William Ivey Long, Santo Loquasto, Gene Moore, Tharon Musser, Robert Rauschenberg, John Rawlings, Thomas Skelton and Jennifer Tipton.

As the subject of Matthew Diamond’s documentary, Dancemaker, and author of the autobiography Private Domain and Wall Street Journal essay Why I Make Dances, Mr. Taylor has shed light on the mysteries of the creative process as few artists have. Dancemaker, which received an Oscar nomination, was hailed by Time as “perhaps the best dance documentary ever.” His autobiography, Private Domain, originally published by Alfred A. Knopf and re-released by North Point Press and later by the University of Pittsburgh Press, was nominated by the National Book Critics Circle as the most distinguished biography of 1987. A documentary on the making of Three Dubious Memories, entitled Creative Domain, has been made, and a new collection of his essays, Facts and Fancies, was published in February 2013.

Mr. Taylor has received nearly every important honor given to artists in the United States. In 1992 he was a recipient of the Kennedy Center Honors and received an Emmy Award for Speaking in Tongues, produced by WNET/New York the previous year. He was awarded the National Medal of Arts by President Clinton in 1993. In 1995 he received the Algur H. Meadows Award for Excellence in the Arts and was named one of 50 prominent Americans honored in recognition of their outstanding achievement by the Library of Congress’s Office of Scholarly Programs. He is the recipient of three Guggenheim Fellowships and honorary Doctor of Fine Arts degrees from California Institute of the Arts, Connecticut College, Duke University, The Juilliard School, Skidmore College, the State University of New York at Purchase, Syracuse University and Adelphi University. Awards for lifetime achievement include a MacArthur Foundation Fellowship – often called the “genius award” – and the Samuel H. Scripps American Dance Festival Award. Other awards include the New York State Governor’s Arts Award and the New York City Mayor’s Award of Honor for Art and Culture. In 1989 Mr. Taylor was elected one of ten honorary members of the American Academy and Institute of Arts and Letters. Having been elected to knighthood by the French government as Chevalier de l’Ordre des Arts et des Lettres in 1969 and elevated to Officier in 1984 and Commandeur in 1990, Mr. Taylor was awarded France’s highest honor, the Légion d’Honneur, in 2000 for exceptional contributions to French culture.

Mr. Taylor’s dances are performed by the Paul Taylor Dance Company, the six-member Paul Taylor 2 Dance Company (begun in 1993), and companies throughout the world including the Royal Danish Ballet, Rambert Dance Company, American Ballet Theatre, San Francisco Ballet, Miami City Ballet, and Alvin Ailey American Dance Theater. He remains among the most sought-after choreographers working today, commissioned by presenting organizations the world over.

Continuing to embrace new challenges, in 2012 Mr. Taylor moved the Paul Taylor Dance Company’s performances to a new home at Lincoln Center, where it has attracted larger audiences than ever before. And in 2014 he established Paul Taylor’s American Modern Dance. Noted dance writer Robert Johnson applauded the creation of the new initiative, writing, “Any serious effort to preserve our fragile dance inheritance deserves a rousing ‘Hosanna!’ and ‘Amen!’”. Check the artist website for more information.



redfishbluefishThe New York Times calls red fish blue fish a "dynamic percussion ensemble from the University of California." Founded twenty years ago by Steven Schick, the San Diego-based ensemble performs, records, and premieres works from the last 85 years of western percussion's rich history. The group works regularly with living composers from every continent. Recent projects include a world premiere of a Roger Reynolds' Sanctuary and the American premiere of James Dillon's epic Nine Rivers cycle with the International Contemporary Ensemble (ICE). In the Summer of 2011, red fish blue fish collaborated with George Crumb, Dawn Upshaw, and Peter Sellars to premiere the staged version of The Winds of Destiny. Eighth Blackbird invited red fish blue fish to join them in performances of works by American icons such as John Cage and Steve Reich at the Park Avenue Armory in New York City. The New York Times called their "riveting" performance of John Cage the "highlight" of the program. Recordings of the percussion chamber music of Iannis Xenakis and Roger Reynolds on Mode Records have been praised by critics around the world. Recordings released in the 2012-13 season included the works of Karlheinz Stockhausen, Giacinto Scelsi, and rare works of Iannis Xenakis.

In 2012, red fish blue fish presented four concerts of percussion music alongside Percussion Group Cincinnati at the John Cage Centennial Festival in Washington D.C. where they performed highlights from the 10-disc box set of the complete percussion works of John Cage to be released on Mode Records.

red fish blue fish last performed with La Jolla Music Society in SummerFest 2015.

Jan
21
Sun
ROLSTON STRING QUARTET
Jan 21 @ 3:00 pm
ROLSTON STRING QUARTET @ The Auditorium at TSRI | San Diego | California | United States

Rolston String Quartet

2016 Banff International String Quartet Competition Winner

This award-winning quartet bring a program of works by Beethoven, Schumann and contemporary Canadain composer, Sophia di Castri.

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BEETHOVEN String Quartet, Op. 18, No. 3
DI CASTRIString Quartet No. 1
SCHUMANNString Quartet in A Major, Op. 41, No. 3

Program Notes will be available from January 20, 2018

Musical Prelude 2 PM
Artists from the San Diego Youth Symphony and Conservatory will perform.

Check the artist website for more information. Biography coming soon.

This performance marks Rolston String Quartet's La Jolla Music Society debut.

Feb
25
Sun
PAUL HUANG, VIOLIN
Feb 25 @ 3:00 pm
PAUL HUANG, VIOLIN @ The Auditorium at TSRI | San Diego | California | United States

Paul Huang, violin

2015 Avery Fisher Career Grant Winner

Award-winning violinist Paul Huang returns to La Jolla Music Society after an acclaimed SummerFest debut in 2016, with a virtuosic program of works by Prokofiev, Kreisler and more.

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Paul Huang, violin
Helen Huang, piano

DVOŘÁK Sonatina, Op. 100
PROKOFIEVSonata in F Minor, Op. 80
SCOTT/KREISLERLotus Land, Op. 47, No. 1
SARASATERomanza Andaluza, Op. 22, No. 1
SAINT-SAËNSSonata in D Minor, Op. 75

Program Notes will be available from February 24, 2018

Musical Prelude 2 PM
Artists from the San Diego Youth Symphony and Conservatory will perform.

Paul HuangRecipient of the prestigious 2015 Avery Fisher Career Grant, Taiwanese-American violinist Paul Huang is already recognized for his intensely expressive music making, distinctive sound, and effortless virtuosity. Following his Kennedy Center debut, The Washington Post proclaimed: “Huang is definitely an artist with the goods for a significant career.” In 2013, The New York Times praised his “masterly account of Barber’s Violin Concerto” with the Orchestra of St. Luke’s at Alice Tully Hall.

Upcoming engagements include debuts with the Louisiana Philharmonic, Brevard Symphony, Seoul Philharmonic, as well as return engagements with the Detroit Symphony, Alabama Symphony, Hilton Head Symphony, Bilbao Symphony, National Symphony of Mexico, and National Taiwan Symphony. In addition, Mr. Huang will appear in recitals at the Phillips Collection in Washington D.C., Herbst Theatre in San Francisco (San Francisco Performances), Barre Opera House in Vermont, Symphony Hall in Detroit (Pro Musica Detroit), the Chamber Music Society of Palm Beach, and Caramoor Festival Rising Stars series.

Last season, Mr. Huang stepped in for Midori to appear with the Detroit Symphony under the baton of Leonard Slatkin performing the Siblieus concerto to critical acclaim. He also appeared with the Alabama Symphony on short notice to perform the Walton concerto. Other season highlights included his concerto debut performing the Barber concerto with the Orchestra of St. Luke’s at Lincoln Center, as well as his sold-out solo recital debut on Lincoln Center's "Great Performers" Series.

Mr. Huang's recent recital appearances included Lincoln Center, the Kennedy Center, University of Georgia Performing Arts, University of Florida Performing Arts, the Strathmore Center, Buffalo Chamber Music Society, Chamber Music Society of Palm Beach, Isabella Stewart Gardner Museum, Jordan Hall, the Louvre in Paris, Seoul Arts Center, and National Concert Hall in Taiwan.

His first solo CD, Intimate Inspiration, was released on the CHIMEI label. In association with the Camerata Pacifica, he also recorded "Four Songs of Solitude" for solo violin for their album of John Harbison works. The album was released on Harmonia Mundi in fall 2014.

An acclaimed chamber musician, Mr. Huang appears as a member of the prestigious Chamber Music Society of Lincoln Center’s CMS Two program for 2015–2018. A frequent guest artist at music festivals worldwide, he has performed at the CHANEL Music Festival in Tokyo, Chelsea Music Festival in New York, the Moritzburg Festival in Germany, the Sion Music Festival in Switzerland, the Great Mountains Music Festival in Korea, and with Camerata Pacifica in Santa Barbara and throughout California. His collaborators have included artists such as: Shlomo Mintz, Gil Shaham, Nobuko Imai, Maxim Rysanov, Roberto Diaz, Myung-Wha Chung, and Frans Helmerson.

Winner of the 2011 Young Concert Artists International Auditions, Mr. Huang made critically acclaimed recital debuts in New York at Merkin Concert Hall and in Washington, D.C. at the Kennedy Center. Other honors include First Prize at the 2009 International Violin Competition Sion-Valais in Switzerland, the 2009 Chi-Mei Cultural Foundation Arts Award for Taiwan’s Most Promising Young Artists, the 2013 Salon de Virtuosi Career Grant, and 2014 Classical Recording Foundation Young Artist Award.

Born in Taiwan, Mr. Huang began violin lessons at the age of seven. Since entering the Juilliard Pre-College at fourteen, he has continued studies at the school with Hyo Kang and I-Hao Lee. Paul Huang is a proud recipient of the inaugural Kovner Fellowship at The Juilliard School, where he earned his Bachelor's and Master's degrees. He plays on the 1742 ex-Wieniawski Guarneri del Gesù on loan through the generous efforts of the Stradivari Society of Chicago.

Paul Huang last performed with La Jolla Music Society in SummerFest 2016.

For more information visit paulhuangviolin.com

Mar
1
Thu
PIERRE-LAURENT AIMARD
Mar 1 @ 8:00 pm
PIERRE-LAURENT AIMARD @ Balboa Theatre | San Diego | California | United States

PIERRE-LAURENT AIMARD, piano

Winner of the 2017 Ernst von Siemens Music Prize, an award which is given to artists for a life devoted to the service of music, the Grammy Award-winning French pianist Pierre-Laurent Aimard makes his La Jolla Music Society debut at San Diego’s inspiring Balboa Theatre. Described by The Washington Post as ” a thinker at the piano and a champion of contemporary music, Mr. Aimard opens his program with the 1915 work Revelation by Russian mystic Nikolai Obukhov, paired with Chopin’s Piano Sonata No. 2 in B-flat Major, Op. 35 “Marche Funèbre” (Funeral March) and Beethoven’s powerful and colossal Piano Sonata No. 29 in B-flat Major, Op. 106, the “Hammerklavier.” This will be a powerful and passionate performance.

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OBUKHOV Revelation
CHOPINPiano Sonata No. 2 in B-flat Major, Op. 35 “Marche Funèbre”
BEETHOVENPiano Sonata No. 29 in B-flat Major, Op. 106 “Hammerklavier”

Program Notes will be available from February 28, 2018

Pierre-Laurent Aimard Widely acclaimed as a key figure in the music of our time and as a uniquely significant interpreter of piano repertoire from every age, Pierre-Laurent Aimard enjoys an internationally celebrated career.

He performs throughout the world each season with major orchestras under conductors including Esa-Pekka Salonen, Peter Eötvös, Sir Simon Rattle and Vladimir Jurowski. He has been invited to curate, direct and perform in a number of residencies, with projects at Carnegie Hall, New York's Lincoln Center, Vienna's Konzerthaus, Berlin's Philharmonie, Frankfurt’s Alte Oper, the Lucerne Festival, Mozarteum Salzburg, Cité de la Musique in Paris, the Tanglewood Festival and London's Southbank Centre. Aimard was the Artistic Director of the Aldeburgh Festival from 2009 to 2016, his final season was marked by a performance of Messiaen’s Catalogue d’oiseaux with the concerts programmed from dawn to midnight.

This season sees Pierre-Laurent continue his trio partnership with Mark Simpson and Antoine Tamestit, and the development of an innovative programme of concerts for Fondation Louis Vuitton in Paris. He performs with The Deutsche Kammerphilharmonie Bremen and Paavo Järvi in Taiwan, and returns to the orchestra in spring 2017 for concerts in Germany. As well as engagements with Los Angeles Philharmonic and The Cleveland Orchestra, Aimard joins the Philharmonia Orchestra and Esa-Pekka Salonen for a series of concerts, entitled ‘Inspirations’. He continues his life-long association with the music of Messiaen, performing his works in Switzerland, Cambridge, Seoul, Prague, London, The Netherlands, Montreal, Munich, Salzburg, Tanglewood and Ravinia and in 2016 he was awarded the prestigious Helpmann award for Best Individual Classical Performance for his recitals of Messiaen’s Vingt Regards in Sydney and Melbourne.

Born in Lyon in 1957, Pierre-Laurent Aimard studied at the Paris Conservatoire with Yvonne Loriod and in London with Maria Curcio. Early career landmarks included winning first prize in the 1973 Messiaen Competition at the age of 16 and being appointed, three years later, by Pierre Boulez to become the Ensemble intercontemporain's first solo pianist.

Aimard has had close collaborations with many leading composers including Kurtág, Stockhausen, Carter, Boulez and George Benjamin and had a long association with Ligeti, recording his complete works for piano. Most recently he performed the world premiere of piano works by Kurtág at a celebration of the composer’s 90th birthday. Recent seasons have included the world premieres of Harrison Birtwistle’s piano concerto Responses; Sweet disorder and the carefully careless, as well as Carter’s last piece Epigrams for piano, cello and violin, which was written for Pierre-Laurent. Through his professorship at the Hochschule Köln as well as numerous series of concert lectures and workshops worldwide, he sheds an inspiring and very personal light on music of all periods.

During the 2008/09 season Aimard was an Associate Professor at the College de France, Paris and he is a member of the Bayerische Akademie der Schönen Künste. He was the recipient of the Royal Philharmonic Society’s Instrumentalist Award in spring 2005 and was named ‘Instrumentalist of the Year’ by Musical America in 2007. In 2015 he launched a major online resource centred on the performance and teaching of Ligeti’s piano music with filmed masterclasses and performances of the Études and other works by Ligeti in collaboration with Klavier-Festival Ruhr. (www.explorethescore.org)

Pierre-Laurent has made many highly successful recordings. His first Deutsche Grammophon release, Bach's Art of Fugue, received both the Diapason d'Or and Choc du Monde de la Musique awards, debuted at No.1 on Billboard's classical chart and topped iTunes’ classical album download chart. In recent years Pierre-Laurent has been honoured with ECHO Klassik Awards, most recently in 2009 for his recording of solo piano pieces, 'Hommage à Messiaen', a Grammy award in 2005 for his recording of Ives’ Concord Sonata and Songs and he was also presented with Germany’s Schallplattenkritik Honorary Prize in 2009. Further releases for DG – ‘The Liszt Project’ in 2011 and Debussy Préludes in 2012 – were joined by a new recording of Bach’s Das wohltemperierte Klavier Book 1 in 2014.

This performance marks Pierre-Laurent Aimard's La Jolla Music Society debut.

Mar
3
Sat
AX – KAVAKOS – MA
Mar 3 @ 8:00 pm
AX - KAVAKOS - MA @ Jacobs Music Center-Copley Symphony Hall | San Diego | California | United States

WINTERFEST GALA 2018

Ax – Kavakos – Ma

Three of the world’s greatest musicians form a “super trio” for an unforgettable performance exploring the piano trios of Johannes Brahms.

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BRAHMSPiano Trio No. 2 in C Major, Op. 87
BRAHMSPiano Trio No. 1 in C Minor, Op. 101
BRAHMSPiano Trio in B Major, Op. 8

Program Notes will be available from March 2, 2018


Emanual-AxBorn in Lvov, Poland, Emanuel Ax moved to Winnipeg, Canada, with his family when he was a young boy. His studied at the Juilliard School were supported by the sponsorship of the Epstein Scholarship Program of the Boys Clubs of America, and he subsequently won the Young Concert Artists Award. Additionally, he attended Columbia University where he majored in French. Mr. Ax captured public attention in 1974 when he won the first Arthur Rubinstein International Piano Competition in Tel Aviv. In 1975 he won the Michaels Award of Young Concert Artists followed four years later by the coveted Avery Fisher Prize.

Two major projects are planned for the second half of the upcoming 2014-15 season, the first being a two week "Celebrate the Piano" festival with the Toronto Symphony curated by Mr. Ax that will present performances by multiple pianists, including Mr. Ax, exploring the many facets of the piano. The second will be a European tour with the Philadelphia Orchestra and Yannick Nézet-Séguin beginning with a joint appearance in Carnegie Hall. Throughout the season he will return to the orchestras of New York, Los Angeles, San Francisco, Boston, Cincinnati, Dallas, Washington, Nashville, Atlanta, St. Louis, Montreal and Ottawa. Recitals will take him to Vancouver, San Francisco and the mid-west ending in Lincoln Center's Tully Hall where he will also appear in duo with baritone Simon Keenlyside. In Europe he will return to the Berlin Philharmonic followed by a tour to Vienna, Salzburg, Graz and London performing Winterreise with Simon Keenlyside as well as presenting both Brahms Concerti in Amsterdam and Paris with the Chamber Orchestra of Europe under Bernard Haitink. Other European orchestras this season feature the London Symphony, Czech Philharmonic, Tonhalle Zurich and the National Orchestras of Toulouse and Lyon.

The 2013/14 season began with appearances at the Barbican Centre followed by Lincoln Center with the London Symphony Orchestra conducted by Bernard Haitink as well as collaborations with the Concertgebouworkester and Mariss Jansons in Amsterdam, Bucharest, China and Japan during their world-wide centenary celebrations. The second half of the season saw the realization of a project inspired by Brahms which included new pieces from composers Missy Mazzoli, Nico Muhly, and Brett Dean all producing works linked to Brahms commissioned jointly between the Los Angeles Philharmonic, Cal Performances Berkeley, Chicago Symphony and Carnegie Hall with the participation of collaborators Anne-Sophie von Otter and Yo-Yo Ma. To conclude the season, he traveled to Hong Kong and Australia for a complete cycle of Beethoven concerti with Chief Conductor David Robertson in Sydney and with Sir Andrew Davis in Melbourne.

A Sony Classical exclusive recording artist since 1987, recent releases include Mendelssohn Trios with Yo-Yo- Ma and Itzhak Perlman, Strauss's Enoch Arden narrated by Patrick Stewart, and discs of two-piano music by Brahms and Rachmaninoff with Yefim Bronfman. Mr. Ax has received GRAMMY® Awards for the second and third volumes of his cycle of Haydn’s piano sonatas. He has also made a series of Grammy-winning recordings with cellist Yo-Yo Ma of the Beethoven and Brahms sonatas for cello and piano. His other recordings include the concertos of Liszt and Schoenberg, three solo Brahms albums, an album of tangos by Astor Piazzolla, and the premiere recording of John Adams's Century Rolls with the Cleveland Orchestra for Nonesuch. In the 2004/05 season Mr. Ax also contributed to an International EMMY® Award-Winning BBC documentary commemorating the Holocaust that aired on the 60th anniversary of the liberation of Auschwitz. In 2013, Mr. Ax's recording Variations received the Echo Klassik Award for Solo Recording of the Year (19th century music)/Piano.

In recent years, Mr. Ax has turned his attention toward the music of 20th-century composers, premiering works by John Adams, Christopher Rouse, Krzysztof Penderecki, Bright Sheng, and Melinda Wagner. Mr. Ax is also devoted to chamber music, and has worked regularly with such artists as Young Uck Kim, Cho-Liang Lin, Mr. Ma, Edgar Meyer, Peter Serkin, Jaime Laredo, and the late Isaac Stern.

Mr. Ax resides in New York City with his wife, pianist Yoko Nozaki. They have two children together, Joseph and Sarah. He is a Fellow of the American Academy of Arts and Sciences and holds honorary doctorates of music from Yale and Columbia Universities. For more information about Mr. Ax’s career, please visit www.EmanuelAx.com.

Emanuel Ax last performed for La Jolla Music Society in a Special Event on January 20, 2016.


Leonidas KavakosThe three important mentors in his life are Stelios Kafantaris, Josef Gingold and Ferenc Rados. By the age of 21, Leonidas Kavakos had already won three major competitions, the Sibelius Competition in 1985, and the Paganini and Naumburg competitions in 1988. This success led to his recording the original Sibelius Violin Concerto (1903/4), the first recording of this work in history. It won Gramophone Concerto of the Year Award in 1991. The orchestras with whom Kavakos has developed close relationships include the Vienna Philharmonic Orchestra (Eschenbach/Chailly) Berliner Philharmoniker (Rattle), Royal Concertgebouw Orchestra (Jansons/Gatti), London Symphony Orchestra (Gergiev/Rattle) and Gewandhausorchester Leipzig (Chailly). Kavakos also works closely with the Dresden Staatskapelle and Munich Philharmonic Orchestra, Orchestre de Paris, Academia Nazionale di Santa Cecilia, Orchestra Filarmonica della Scala and, in the USA, with the Philadelphia Orchestra, New York Philharmonic, Boston Symphony, Chicago Symphony and Los Angeles Philharmonic orchestras. This season, he tours with the London Philharmonic Orchestra to Spain, with the Bayerischer Rundfunk to the USA and plays at the Verbier, White Nights, Edinburgh International, Tanglewood and Annecy Classic festivals, as well as a cycle of Beethoven Sonatas at the Dresdner Musikfestspiele.

Latterly, Leonidas Kavakos has built a strong profile as a conductor, working with the London and Boston symphony orchestras, Deutsches Symphonie-Orchester Berlin, Maggio Musicale Fiorentino, Wiener Symphoniker (VSO) and Budapest Festival orchestras. This season, Kavakos returns as conductor to the VSO, Chamber Orchestra of Europe and the Orchestre Philharmonique de Radio France, and, for the first time, the Bamberger Symphoniker, Danish National Symphony, Netherlands Radio Symphony and Rotterdam Philharmonic orchestras and the Accademia Nazionale di Santa Cecilia. His first release on Decca Classics, the complete Beethoven Violin Sonatas with Enrico Pace (January 2013), resulted in the ECHO Klassik award ‘Instrumentalist of the Year’, followed by the Brahms Violin Concerto with the Gewandhausorchester Leipzig and Riccardo Chailly (October 2013), and Brahms Violin Sonatas with Yuja Wang, (March 2014). He was awarded Gramophone Artist of the Year 2014. His earlier discography includes recordings for BIS, ECM, and subsequently, for Sony Classical, Mendelssohn Violin Concerto (ECHO Klassik ‘Best Concerto Recording’) and Mozart’s Violin Concertos, conducting and playing with Camerata Salzburg.

Born and brought up in a musical family in Athens, he curated a chamber music cycle 15 years at the Megaron Athens Concert Hall, featuring Mstislav Rostropovich, Heinrich Schiff, Menahem Pressler, Emanuel Ax, Nikolai Lugansky, Yuja Wang and Gautier Capuçon, among others. Kavakos curates an annual violin and chamber-music masterclass in Athens, attracting violinists and ensembles from all over the world and reflecting his deep commitment to the handing on of musical knowledge and traditions. The art of violin- and bow-making is considered by Kavakos a great mystery and, to our day, an undisclosed secret. He plays the ‘Abergavenny’ Stradivarius violin of 1724 and owns modern violins made by F. Leonhard, S.P. Greiner, E. Haahti and D. Bagué.

Leonidas Kavakos last performed with La Jolla Music Society in a Special Event on february 11, 2017.

For more information visit www.leonidaskavakos.com


Yo-Yo Ma

Yo-Yo Ma’s multi-faceted career is testament to his continual search for new ways to communicate with audiences, and to his personal desire for artistic growth and renewal. Whether performing new or familiar works from the cello repertoire, coming together with colleagues for chamber music or exploring cultures and musical forms outside the Western classical tradition, Mr. Ma strives to find connections that stimulate the imagination.

Yo-Yo Ma maintains a balance between his engagements as soloist with orchestras throughout the world and his recital and chamber music activities. He draws inspiration from a wide circle of collaborators, creating programs with such artists as Emanuel Ax, Daniel Barenboim, Christoph Eschenbach, Kayhan Kalhor, Ton Koopman, Bobby McFerrin, Edgar Meyer, Mark Morris, Riccardo Muti, Mark O’Connor, Kathryn Stott, Michael Tilson Thomas, Wu Man, Wu Tong, Damian Woetzel, and David Zinman. Each of these collaborations is fueled by the artists’ interactions, often extending the boundaries of a particular genre. One of Mr. Ma’s goals is the exploration of music as a means of communication, and as a vehicle for the migration of ideas, across a range of cultures throughout the world. To that end, he has taken time to immerse himself in subjects as diverse as native Chinese music with its distinctive instruments and the music of the Kalahari bush people in Africa.

Expanding upon this interest, in 1998, Mr. Ma established the Silk Road Project, a nonprofit arts and educational organization that takes its inspiration from the historic Silk Road trading routes as a modern metaphor for multicultural and interdisciplinary exchange.  Under his artistic direction, the Silk Road Project presents performances by the acclaimed Silk Road Ensemble, engages in cross-cultural exchanges and residencies, leads workshops for students, and partners with leading cultural institutions to create educational materials and programs.

The Project’s ongoing affiliation with Harvard University has made it possible to broaden and enhance educational programming. Since the 2010-2011 school year, with ongoing partnerships with arts and educational organizations in New York City, it continues to expand Silk Road Connect, a multidisciplinary educational initiative for middle-school students in the city’s public schools. Developing new music is also a central undertaking of the Silk Road Project, which has been involved in commissioning and performing more than 60 new musical and multimedia works from composers and arrangers around the world.  Through his work with the Silk Road Project, as throughout his career, Yo-Yo Ma seeks to expand the cello repertoire, frequently performing lesser known music of the 20th century and commissions of new concertos and recital pieces.  He has premiered works by a diverse group of composers, among them Stephen Albert, Elliott Carter, Chen Yi, Richard Danielpour, Osvaldo Golijov, John Harbison, Leon Kirchner, Peter Lieberson, Christopher Rouse, Bright Sheng, Tan Dun, John Williams and Dmitry Yanov-Yanovsky.

As the Chicago Symphony Orchestra’s Judson and Joyce Green Creative Consultant, Mr. Ma is partnering with Maestro Riccardo Muti to provide collaborative musical leadership and guidance on innovative program development for The Institute for Learning, Access and Training at the Chicago Symphony Orchestra, and for Chicago Symphony artistic initiatives. Mr. Ma’s work focuses on the transformative power music can have in individuals’ lives, and on increasing the number and variety of opportunities audiences have to experience music in their communities.  Mr. Ma and the Institute have created the Citizen Musician Initiative, a movement that calls on all musicians, music lovers, music teachers and institutions to use the art form to bridge gulfs between people and to create and inspire a sense of community.  www.citizenmusician.org features stories of Citizen Musician activity across the globe.

Yo-Yo Ma is strongly committed to educational programs that not only bring young audiences into contact with music but also allow them to participate in its creation. While touring, he takes time whenever possible to conduct master classes as well as more informal programs for students – musicians and non-musicians alike. At the same time, he continues to develop new concert programs for family audiences, for instance, helping to inaugurate the family series at Carnegie Hall. In each of these undertakings, he works to connect music to students’ daily surroundings and activities with the goal of making music and creativity a vital part of children’s lives from an early age. He has also reached young audiences through appearances on “Arthur,” “Mister Rogers’ Neighborhood” and “Sesame Street.”

Mr. Ma’s discography of over 75 albums (including more than 15 Grammy Award winners) reflects his wide-ranging interests. He has made several successful recordings that defy categorization, among them “Hush” with Bobby McFerrin, “Appalachia Waltz” and “Appalachian Journey” with Mark O’Connor and Edgar Meyer and two Grammy-winning tributes to the music of Brazil, “Obrigado Brazil” and “Obrigado Brazil – Live in Concert.” His recent collaborations with Edgar Meyer, Chris Thile and Stuart Duncan resulted in “The Goat Rodeo Sessions”.  Across this full range of releases, Mr. Ma remains one of the best-selling recording artists in the classical field. All of his recent albums have quickly entered the Billboard chart of classical best sellers, remaining in the Top 15 for extended periods, often with as many as four titles simultaneously on the list. In fall 2009, Sony Classical released a box set of over 90 albums to commemorate Mr. Ma’s 30 years as a Sony recording artist.

Yo-Yo Ma was born in 1955 to Chinese parents living in Paris. He began to study the cello with his father at age four and soon came with his family to New York, where he spent most of his formative years. Later, his principal teacher was Leonard Rose at the Juilliard School. He sought out a traditional liberal arts education to expand upon his conservatory training, graduating from Harvard University in 1976. He has received numerous awards, including the Avery Fisher Prize (1978), the Glenn Gould Prize (1999), the National Medal of the Arts (2001), the Dan David Prize (2006), the Sonning Prize (2006), the World Economic Forum’s Crystal Award (2008) the Presidential Medal of Freedom (2010) the Kennedy Center Honors (2011), and most recently the Polar Music Prize (2012).  Appointed a CultureConnect Ambassador by the United States Department of State in 2002, Mr. Ma has met with, trained and mentored thousands of students worldwide in countries including Lithuania, Korea, Lebanon, Azerbaijan and China.   Mr. Ma serves as a UN Messenger of Peace and as a member of the President’s Committee on the Arts & the Humanities.  He has performed for eight American presidents, most recently at the invitation of President Obama on the occasion of the 56th Inaugural Ceremony.

Mr. Ma and his wife have two children. He plays two instruments, a 1733 Montagnana cello from Venice and the 1712 Davidoff Stradivarius.

Yo-Yo Ma last performed for La Jolla Music Society in the Celebrity Recital Series on March 12, 2014.

For more information visit www.yo-yoma.com; www.silkroadproject.org ; www.opus3artists.com

Mar
7
Wed
HERBIE HANCOCK
Mar 7 @ 8:00 pm
HERBIE HANCOCK @ Balboa Theatre | San Diego | California | United States

HERBIE HANCOCK

14-time Grammy® Award Winner

Herbie Hancock is a true icon of modern music. In addition to being recognized as a legendary pianist and composer, he has been an integral part of every popular music movement since the 1960s. His career has transcended limitations and genres while maintaining his unmistakable voice. In honor of his work, Herbie Hancock was bestowed in 2016 with the Grammy® Lifetime Achievement Award.

Herbie Hancock is currently in the studio at work on a new album..

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Program Notes will be available on March 6, 2018

Herbie HancockHerbie Hancock is a true icon of modern music. Throughout his explorations, he has transcended limitations and genres while maintaining his unmistakable voice. With an illustrious career spanning five decades and 14 Grammy® Awards, including Album of the Year for River: The Joni Letters, he continues to amaze audiences across the globe.

There are few artists in the music industry who have had more influence on acoustic and electronic jazz and R&B than Herbie Hancock. As the immortal Miles Davis said in his autobiography, "Herbie was the step after Bud Powell and Thelonious Monk, and I haven't heard anybody yet who has come after him."

Born in Chicago in 1940, Herbie was a child piano prodigy who performed a Mozart piano concerto with the Chicago Symphony Orchestra at age 11. He began playing jazz in high school, initially influenced by Oscar Peterson and Bill Evans. He also developed a passion for electronics and science, and double-majored in music and electrical engineering at Grinnell College.

In 1960, Herbie was discovered by trumpeter Donald Byrd. After two years of session work with Byrd as well as Phil Woods and Oliver Nelson, he signed with Blue Note as a solo artist. His 1963 debut album, 'Takin' Off', was an immediate success, producing the hit 'Watermelon Man'.

In 1963, Miles Davis invited Herbie to join the Miles Davis Quintet. During his five years with Davis, Herbie and his colleagues Wayne Shorter (tenor sax), Ron Carter (bass), and Tony Williams (drums) recorded many classics, including 'ESP', 'Nefertiti' and 'Sorcerer'. Later on, Herbie made appearances on Davis' groundbreaking 'In a Silent Way' and 'Bitches Brew', which heralded the birth of jazz-fusion.

Herbie's own solo career blossomed on Blue Note, with classic albums including 'Maiden Voyage', 'Empyrean Isles', and 'Speak Like a Child'. He composed the score to Michelangelo Antonioni's 1966 film 'Blow Up', which led to a successful career in feature film and television music.

Herbie Hancock last performed with La Jolla Music Society in the Jazz Series on March 20, 2015.

For more information visit www.herbiehancock.com


Mar
16
Fri
ACADEMY OF ST MARTIN IN THE FIELDS
Mar 16 @ 8:00 pm
ACADEMY OF ST MARTIN IN THE FIELDS @ Jacobs Music Center-Copley Symphony Hall | San Diego | California | United States

Academy of St Martin in the Fields

Joshua Bell, violin

Renowned for its distinctive, polished and refined sound, the Academy of St Martin in the Fields, under the leadership of virtuoso violinist Joshua Bell, performs fresh and brilliant interpretations of beloved classical masterworks.

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MENDELSSOHNOverture from A Midsummer Night’s Dream
WIENIAWSKI Violin Concerto No. 2 in D Minor, Op. 22
       Joshua Bell, violin
BEETHOVEN Symphony No. 6 in F Major, Op. 68, “Pastoral”

Program Notes will be available from March 15, 2018

PRELUDE 7 PM
Arrive early for a pre-performance lecture


Joshua Bell Often referred to as the "poet of the violin," Joshua Bell is one of the world's most celebrated violinists.  He continues to enchant audiences with his breathtaking virtuosity, tone of sheer beauty, and charismatic stage presence. His restless curiosity, passion, universal appeal, and multi-faceted musical interests have earned him the rare title of "classical music superstar." Bell's most recent challenge is his appointment as the new Music Director of the Academy of St Martin in the Fields, the first person and first American to hold this post since Sir Neville Marriner formed the orchestra in 1958.  The ensemble's first 15-concert tour to the U.S. garnered rave reviews, and as one orchestra member blogged in Gramophone "the audience reaction all tour has been nothing short of rock concert enthusiasm." Their first recording under Bell's leadership as Music Director/conductor will be the 4th and 7th symphonies of Beethoven to be  released by Sony Classical February 12, 2013 with plans to eventually perform and record all the Beethoven symphonies.

Equally at home as a soloist, chamber musician, recording artist and orchestra leader, Bell's 2012 summer appearances included the premiere of a new concerto for violin and double bass by Edgar Meyer performed by Bell and Meyer at Tanglewood, Aspen and the Hollywood Bowl. In addition Bell appeared at the Festival del Sole, Ravinia, Verbier, Salzburg, Saratoga and Mostly Mozart festivals. He kicked off the San Francisco Symphony's fall season followed by performances with the Philadelphia Orchestra and the Boston, Seattle, Omaha, Cincinnati and Detroit Symphonies.  Fall highlights included a tour of South Africa, a European tour with the Academy of St Martin in the Fields and a European recital tour with Sam Haywood.

In 2013 Bell will tour the US with the Cleveland Orchestra and Europe with the New York Philharmonic as well as perform with the Tucson, Pittsburgh, San Diego and Nashville Symphony Orchestras.

Joshua Bell currently records exclusively for Sony Classical and since his first LP recording at age 18 on the Decca Label, he has recorded more than 40 CDs.   Sony releases include French Impressions with pianist Jeremy Denk, featuring sonatas by Saint-Saens, Ravel and Franck, At Home With Friends, Vivaldi's The Four Seasons with The Academy of St Martin in the Fields, The Tchaikovsky Concerto with the Berlin Philharmonic, as well as The Red Violin Concerto, The Essential Joshua Bell, Voice of the Violin, and Romance of the Violin which Billboard named the 2004 Classical CD of the Year, and Bell the Classical Artist of the Year.  Bell received critical acclaim for his concerto recordings of Sibelius and Goldmark, Beethoven and Mendelssohn, and the Grammy Award winning Nicholas Maw concerto.  His Grammy-nominated Gershwin Fantasy premiered a new work for violin and orchestra based on themes from Porgy and Bess.  Its success led to a Grammy-nominated Bernstein recording that included the premiere of the West Side Story Suite as well as the composer's Serenade.  Bell appeared on the Grammy-nominated crossover recording Short Trip Home with composer and double bass virtuoso Edgar Meyer,  as well as a recording with Meyer of the Bottesini Gran Duo Concertante.  Bell also collaborated with Wynton Marsalis on the Grammy-winning spoken word children's album Listen to the Storyteller and Bela Flecks' Grammy Award recording Perpetual Motion. Highlights of the Sony Classical film soundtracks on which Bell has performed include The Red Violin which won the Oscar for Best Original Score, the Classical Brit-nominated Ladies in Lavender, and the films, Iris and Defiance.

Always seeking opportunities to increase the violin repertoire, Bell has premiered new works by composers Nicholas Maw, John Corigliano, Aaron Jay Kernis, Edgar Meyer, Behzad Ranjbaran and Jay Greenberg.  Mr. Bell also performs and has recorded his own cadenzas to many of the major violin concertos.

Bell has been embraced by a wide television audience with appearances ranging from The Tonight Show, Tavis Smiley, Charlie Rose, and CBS Sunday Morning to Sesame Street and Entertainment Tonight. In 2010 Bell starred in his fifth Live From Lincoln Center Presents broadcast titled: Joshua Bell with Friends @ The Penthouse. Other PBS shows include Great Performances – Joshua Bell: West Side Story Suite from Central Park, Memorial Day Concert performed on the lawn of the United States Capitol, and A&E’s Biography. He has twice performed on the Grammy Awards telecast, performing music from Short Trip Home and West Side Story Suite. He was one of the first classical artists to have a music video air on VH1 and he has been the subject of a BBC Omnibus documentary.   Bell has appeared in publications ranging from Strad and Gramophone to, The New York Times, People Magazine’s 50 Most Beautiful People issue, USA Today, The Wall St. Journal, GQ, Vogue and Readers Digest among many.   In 2007, Bell performed incognito in a Washington, DC subway station for a Washington Post story by Gene Weingarten examining art and context. The story earned Weingarten a Pulitzer Prize and sparked an international firestorm of discussion which continues to this day.

Growing up with his two sisters in Bloomington, Indiana, Bell indulged in many passions outside of music, becoming an avid computer game player and a competitive athlete.  He placed fourth in a national tennis tournament at age 10, and still keeps his racquet close by.  At age four, he received his first violin after his parents, both mental health professionals, noticed him plucking tunes with rubber bands he had stretched around the handles of his dresser drawers.  By 12 he was serious about the instrument, thanks in large part to the inspiration of renowned violinist and pedagogue Josef Gingold, who had become his beloved teacher and mentor. Two years later, Bell came to national attention in his highly acclaimed debut with Riccardo Muti and the Philadelphia Orchestra. His Carnegie Hall debut, an Avery Fisher Career Grant and a notable recording contract soon followed, further confirming his presence in the musical world.

In 1989, Bell received an Artist Diploma in Violin Performance from Indiana University where he currently serves as a senior lecturer at the Jacobs School of Music. His alma mater honored him with a Distinguished Alumni Service Award, he has been named an “Indiana Living Legend” and is the recipient of the Indiana Governor’s Arts Award.

In 2011 Bell received the Paul Newman Award from Arts Horizons and the Huberman Award from Moment Magazine. Bell was named “Instrumentalist of the Year, 2010 by Musical America  and that same year received the Humanitarian Award from Seton Hall University. In 2009 he was honored by Education Through Music and he received the Academy of Achievement Award in 2008 for exceptional accomplishment in the arts.  In 2007 he was awarded the Avery Fisher Prize and recognized as a Young Global Leader by the World Economic Forum. He was inducted into the Hollywood Bowl Hall of Fame in 2005.

Today Bell serves on the artist committee of the Kennedy Center Honors and is on the Board of Directors of the New York Philharmonic.  He has performed before President Obama at Ford’s Theatre and at the White House and recently returned to the Capital to perform for Vice President Biden and President of the People’s Republic of China, Xi Jinping.

Bell performs on the 1713 Huberman Stradivarius violin and uses a late 18th century French bow by Francois Tourte.

Joshua Bell last performed for La Jolla Music Society in the Celebrity Recital Series on February 7, 2014.

For more information visit www.joshuabell.com

Mar
24
Sat
SCHUBERT’S SWAN SONG I
Mar 24 @ 8:00 pm
SCHUBERT'S SWAN SONG I @ Irwin M. Jacobs Qualcomm Hall | San Diego | California | United States

SCHUBERT’S SWAN SONG I

Schubert’s Swan Song is a 3-concert exploration of the late works of composer Franz Schubert. Curated by celebrated pianist Inon Barnatan, and performed by a spectacular roster of musicians, the programs are anchored by Schubert’s deeply moving late piano sonatas and include a selection of the composer’s chamber music masterpieces.

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SCHUBERTFantasy in F Minor for Piano Four-Hands, D.940
SCHUBERTPiano Sonata in B-flat Major, D.960
SCHUBERTPiano Trio in B-flat Major, D.898
Benjamin Beilman, violin; Clive Greensmith, cello; Inon Barnatan, Garrick Ohlsson, pianos

Program Notes will be available March 23, 2018

Detailed artist biography information coming soon Benjamin Beilman, violin; Clive Greensmith, cello; Inon Barnatan, Garrick Ohlsson, pianos

Apr
8
Sun
DANIELA LIEBMAN, PIANO
Apr 8 @ 3:00 pm
DANIELA LIEBMAN, PIANO @ The Auditorium at TSRI | San Diego | California | United States

Daniel Liebman, piano

2014 Premio Nacional de Juventud

Award-winning young Mexican pianist Daniela Liebman makes her La Jolla Music Society debut with a program of works by Beethoven, Schubert, Chopin and Prokofiev.

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BEETHOVENRondo in C Major, Op. 50, No. 1
BEETHOVENSonata No. 24 in F-sharp Major, Op. 78
SCHUBERTImpromptus, Op. 90
CHOPINSelection of Impromptus, Ballades and Nocturnes
PROKOFIEVPiano Sonata No. 3, Op. 28

Program Notes will be available from April 7, 2018

Musical Prelude 2 PM
Artists from the San Diego Youth Symphony and Conservatory will perform.

Daniela LiebmanDaniela Liebman was born in Guadalajara, Mexico on June 14th, 2002. Daniela began piano study at the age of five, and has the distinction of being the youngest soloist in the history of Mexico to appear with a professional orchestra, when she debuted at eight years old playing Mozart’s 8th piano concerto with the Aguascalientes Symphony. Since then, Daniela has played over twenty five times with a dozen orchestras on four continents. Some of these orchestras are: The Jalisco Symphony, Fladamex Symphony, Michoacan Symphony, The Zapopan Symphony, The Orchestra Sinfonia de Sinaloa, The Mexico City Philharmonic, (Mexico) The Rachmaninov Orchestra of the Kremlin, (Bishkek, Kyrgyzstan) The Orlando Philharmonic, (USA) Ontario Philharmonic, (Canada) and the Radio Filarmonia of Lima. (Peru)

In 2013, Daniela made her debut in Mexico’s prestigious Palacio de Bellas Artes, playing on two different occasions with the Orquesta de Camera de Bellas Artes. In the same year, Daniela made her Carnegie Hall debut as soloist with the Park Avenue Chamber Symphony, on the Perelman stage/Stern auditorium, playing Shostakovich’s piano concerto no.2. Daniela has given solo recitals at Festival Cervantino, (Guanajuato, Mexico) in Cordoba, (Argentina) Valparaiso (Chile) and at the Kennedy Center, Harriman-Jewel Series, Ravinia Festival, and the Kravis Center for Performing Arts. (USA) In competitions, Daniela won first prize at “Night in Madrid” (Madrid, 2011) “The Russian International Piano Competition,” (San Jose, 2012) and was chosen to participate in Lang Lang’s “Junior Music Camp.” (Munich, 2013) In 2014 Daniela won the coveted “Nacional Premio de Juventud.” (Mexico)

Upcoming solo recitals in the 2016/2017 season include the “Young Artist Series,” (Sarasota, 10/23&24) The “Tri-C Series,” (Cleveland Museum of Modern Art, 11/20) and a return to the “Ravinia Festival,” in Chicago, on 5/13/2017. (Bennett Gordon Hall)

Future concerto engagements are with the “Sinfonia Nacional de Colombia,” (Bogota, Colombia) “San Angelo Symphony,” (Texas) “Boca Raton Festival of the Arts Orchestra,” (Florida) “Guatemala City Orchestra,” (Guatemala) and a second appearance as soloist with the “Orlando Philharmonic,” on September 9th, 2017.

In 2016,Danielawa named “One of the Forty Most Creative Mexicans in the World,” by Forbes Magazine. Over the years Daniela has had master classes with; Antonio Pompa Baldi, Paul Bakura-Skoda, Yohoved Kaplinsky, Tamas Ungar, Federico Osorio, Arie Vardi, John Perry, Alexander Korsantia, Joseph Kalichstein, Mikhail Voskresensky, Paulina Dokovska, Eugen Indjic, Dina Yoffe, Vadim Monastyrski, Andrej Jasinski, Eduardo Delgado, Frank Levy, Boris Berman, and Baruch Meir.

This performance marks Daniela Liebman's La Jolla Music Society debut.

Apr
14
Sat
SCHUBERT’S SWAN SONG II
Apr 14 @ 8:00 pm
SCHUBERT'S SWAN SONG II @ Irwin M. Jacobs Qualcomm Hall | San Diego | California | United States

SCHUBERT’S SWAN SONG II

Schubert’s Swan Song is a 3-concert exploration of the late works of composer Franz Schubert. Curated by celebrated pianist Inon Barnatan, and performed by a spectacular roster of musicians, the programs are anchored by Schubert’s deeply moving late piano sonatas and include a selection of the composer’s chamber music masterpieces.

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SCHUBERTPiano Sonata No. 20 in A Major, D.959
SCHUBERTSchwanengesang, D.957 "Swan Song"
Robin Tritschler, tenor; Inon Barnatan, piano

Program Notes will be available April 13, 2018

Detailed artist biography information coming soon Robin Tritschler, tenor; Inon Barnatan, piano

Apr
28
Sat
THE JOEY ALEXANDER TRIO
Apr 28 @ 8:00 pm
THE JOEY ALEXANDER TRIO @ Balboa Theatre | San Diego | California | United States

THE JOEY ALEXANDER TRIO

A uniquely gifted young pianist from Bali, Joey Alexander taught himself to play piano by listening with his father to classic jazz albums. His father soon recognized that his son’s gift to grasp complicated musical concepts was beyond someone of his years. His recording debut, My Favorite Things, was nominated as Best Instrumental Jazz Album for the 2016 Grammy® Awards. This performance will feature original compositions and jazz classics by Coltrane, Monk and more.

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Program Notes will be available April 27, 2018

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


May
12
Sat
MARK MORRIS DANCE GROUP: PEPPERLAND
May 12 @ 8:00 pm
MARK MORRIS DANCE GROUP: PEPPERLAND @ Civic Theatre | San Diego | California | United States

Mark Morris Dance Group:
Pepperland

Choreographer Mark Morris, hailed as the “the most successful and influential choreographer alive, and indisputably the most musical,” returns to San Diego with Pepperland, a unique tribute to the 50th anniversary of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band. Pepperland features an original score by Ethan Iverson, interspersing arrangements of “Sgt. Pepper’s Lonely Hearts Club Band”, “With a Little Help From My Friends”, “A Day in the Life”, “When I’m Sixty-Four”, “Within You Without You” and “Penny Lane” with six Pepper-inspired original pieces intended especially for Mark Morris’ profound understanding of classical forms: Allegro, Scherzo, Adagio and the blues.

A live chamber music ensemble of voice, theremin, soprano saxophone, trombone, two keyboards, and percussion will explore and elaborate on Sgt. Pepper’s non-rock and roll influences. This colorful new piece resounds with the ingenuity, musicality, wit, and humanity for which a Mark Morris work is known.

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Program Notes will be available from May 11, 2018

PRELUDE 7 PM

Check the artist website for more information. Biography coming soon.

May
18
Fri
JUHO POHJONEN
May 18 @ 8:00 pm
JUHO POHJONEN @ The Auditorium at TSRI | San Diego | California | United States

JUHO POHJONEN, piano

Since his U.S. debut, the celebrated Finnish pianist Juho Pohjene has garnered a reputation for giving performances that crackle with intensity, displaying his flawless technique and fearless musical conviction over a wide array of repertoire. Pohjonen’s versatility will be on full display when he returns to La Jolla Music Society to conclude this season’s Piano Series, with a program of works that span the Baroque, Classical and Romantic eras.

“It was quickly apparent that Pohjonen has both impeccable technique and a clear-eyed approach to music, unleashing the fugue with stunning clarity and precise dynamic control.” — The Washington Post

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J.S. BACH Chromatic Fantasia and Fugue in D Minor, BWV 903
FRANCKPrèlude, Choral et Fugue
MOZARTPrelude and Fugue for Piano in C Major, K.394/383a
SCHUBERTWanderer Fantasy

Program Notes will be available from May 11, 2018

Juho PohjonenCelebrated as one of Finland's most outstanding pianists, Juho Pohjonen is widely praised for his stellar musicianship and distinctive interpretations of a broad range of repertoire from Bach to Salonen. His interpretations are known for their intensity, thoughtfulness and fearless musical conviction. A favorite of Robert Spano and the Atlanta Symphony Orchestra, Pohjonen garnered high accolades for his most recent performances of Prokofiev’s Concerto No. 5 in G Major: “His playing is simply extraordinary. This was a night when a good view of the soloist’s hands was worth extra money. It was a performance worth recording of a work worth hearing.” (The Atlanta Journal Constitution)

Juho Pohjonen began the summer of 2016 with his Grant Park Festival debut, performing Chopin’s Piano Concerto No. 2 with conductor Carlos Kalmar. Other highlights of the summer include performances at the Santa Fe and La Jolla Music Festivals as well as the Moritzburg Festival in Germany. His 2016-2017 season includes his third invitation to the Atlanta Symphony Orchestra, performing Beethoven’s Piano Concerto No. 4 with Robert Spano, as well as his debut with the Vancouver Symphony and conductor Constantin Trinks in Prokofiev’s Piano Concerto No. 1. He continues his close association with The Chamber Music Society of Lincoln Center in a program of Mendelssohn and Schubert at Alice Tully Hall, performs a chamber program at the Library of Congress and gives recitals in New York City and Howland, New York. European highlights include a performance of Esa-Pekka Salonen’s Piano Concerto with the Szczecin Philharmonic and Rune Bergman, Mozart’s Piano Concerto No. 23 with the Finnish Radio Orchestra and Tomas Djupsjöbacka, as well as a debut with the Antalya State Symphony and conductor Adrian Prabava, performing Rachmaninoff’s Piano Concerto No. 2.

Recent highlights include highly praised performances of Grieg’s Piano Concerto with the Buffalo Philharmonic and conductor JoAnn Falletta as well as performances of the same work across England with the Bournemouth Symphony Orchestra and Kirill Karabits. Mr. Pohjonen opened last season with the Los Angeles Chamber Orchestra in performances of the Saint-Saëns’s Piano Concerto No. 5 and Jeffrey Kahane, and made his debut with Tonhalle-Orchester Zürich performing Esa-Pekka Salonen’s Piano Concerto with conductor Lionel Bringuier. In addition, he gave a stunning recital debut at the Ravinia Festival, performed Mozart in Seoul with the KBS Symphony Orchestra, as well as in Mexico’s Palacio De Bellas Artes with the Orquesta Sinfónica Nacional and a U.S. tour with The Chamber Music Society of Lincoln Center. Recently, Mr. Pohjonen has also performed with Philharmonia Orchestra and Esa-Pekka Salonen, Helsinki Philharmonic with Olari Elts, Bournemouth Symphony with James MacMillan and Iceland Symphony with Francois-Xavier Roth. He appears frequently with The Chamber Music Society of Lincoln Center, since being selected as one of the musicians to join the “CMS Two Residency Program for Outstanding Young Artists” from 2009-2012.

Mr. Pohjonen has given recitals in New York (Carnegie Hall and Lincoln Center), Washington, D.C. (Kennedy Center), San Francisco, Vancouver, Detroit, La Jolla and in London (Wigmore Hall), Hamburg, St. Petersburg, Helsinki, Warsaw, Hong Kong, Antwerp, and at the Lucerne Piano, Gilmore, Savonlinna, Bergen and Mecklenburg-Vorpommern Festivals. He has performed with the Los Angeles Philharmonic, San Francisco Symphony, Atlanta Symphony, Buffalo Philharmonic, Mostly Mozart Festival Orchestra, Danish National, Malmö, Finnish Radio Symphony, Swedish Radio Symphony, Helsinki Philharmonic, Avanti! Chamber Orchestra, National Arts Centre Orchestra, Scottish Chamber and Philharmonia Orchestras, Bournemouth Symphony, Zagrebacka Filharmonija and Lahti Symphony, with which he toured Japan.

Mr. Pohjonen's debut recording Plateaux features Scandinavian composer Pelle Gudmundsen-Holmgreen's piano concerto Plateaux pour Piano et Orchestre with the Danish National Symphony Orchestra and solo piano piece For Piano. His sensational opening recital at Music@Menlo’s 2010 Festival was recorded for the Music@Menlo Live 2010 series. The albums, entitled Maps and Legends: Disc 8, features Mozart's Sonata in A Major, K.331, Grieg's Ballade in G Minor in the Form of Variations on a Norwegian Folk Song, Op. 24 and Handel's Suite in B-flat Major.

Mr. Pohjonen's studies began in 1989 when he entered the Junior Academy of the Sibelius Academy, Helsinki. He studied with Meri Louhos and Hui-Ying Liu at the Sibelius Academy where he completed his Master's Degree in 2008. Mr. Pohjonen has also participated in several master classes of world-class pianists such as Sir András Schiff, Leon Fleisher, Jacob Lateiner and Barry Douglas. In 2009, Juho Pohjonen was selected by Sir András Schiff as winner of the Klavier Festival Ruhr Scholarship. In addition, he has won numerous prizes in both Finnish and international competitions, including First Prize at the 2004 Nordic Piano Competition in Nyborg, Denmark, First Prize at the 2000 International Young Artists Concerto Competition in Stockholm, the Prokofiev Prize at the 2003 AXA Dublin International Piano Competition and a prize at the 2002 Helsinki International Maj Lind Piano Competition.

‘If we needed proof that exciting new talent is in the pipeline, there was the marvelous American debut of Juho Pohjonen at [Carnegie's] Weill Recital Hall. Mr. Pohjonen offered a formidable mixed program, topped by thrilling accounts of two fiendishly difficult works by a fellow Finn, Esa-Pekka Salonen.' -The New York Times

Juho Pohjonen last performed for Jolla Music Society in SummerFest 2016.

May
19
Sat
SCHUBERT’S SWAN SONG III
May 19 @ 8:00 pm
SCHUBERT'S SWAN SONG III @ Irwin M. Jacobs Qualcomm Hall | San Diego | California | United States

SCHUBERT’S SWAN SONG III

Schubert’s Swan Song is a 3-concert exploration of the late works of composer Franz Schubert. Curated by celebrated pianist Inon Barnatan, and performed by a spectacular roster of musicians, the programs are anchored by Schubert’s deeply moving late piano sonatas and include a selection of the composer’s chamber music masterpieces.

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SCHUBERTPiano Sonata No. 19 in C Minor, D.958
SCHUBERTFantasy for Violin and Piano in C Major, D.934
SCHUBERTString Quintet in C Major, D.956
Benjamin Beilman, violin; Carter Brey, cello; Inon Barnatan, piano; Dover Quartet - Joel Link, Bryan Lee, violins; Milena Pajaro-van de Stadt, viola; Camden Shaw, cello

Program Notes will be available May 19, 2018

Detailed artist biography information coming soon
Benjamin Beilman, violin; Carter Brey, cello; Inon Barnatan, piano; Dover Quartet – Joel Link, Bryan Lee, violins; Milena Pajaro-van de Stadt, viola; Camden Shaw, cello

Aug
3
Fri
OPENING NIGHT CARNIVAL
Aug 3 @ 8:00 pm
OPENING NIGHT CARNIVAL @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

OPENING NIGHT CARNIVAL!

Friday, August 3, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Take a walk on the wild side as the festival kicks off with this celebratory program. Legendary cellist Lynn Harrell leads an all-star roster of eight cellists, sharing the stage with beloved soprano Lyubov Petrova, known for her fiery presence and shimmering voice. The evening closes with a delightful salute to feathers, fur, and fins with Saint-Saëns’ humorous musical suite Carnival of the Animals, with text by comedic musical genius Peter Schickele.

Prelude · 7:00 PM
Interview with SummerFest Music Director Cho-Liang Lin hosted by Eric Bromberger

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OPENING NIGHT CARNIVAL!

BARTÓK · Contrasts for Violin, Clarinet, and Piano, Sz.111
Paul Huang, violin; Anthony McGill, clarinet; Shai Wosner, piano

VILLA-LOBOS · Bachianas Brasileiras No. 1 for Eight Cellos
VILLA-LOBOS · Bachianas Brasileiras No. 5 for Soprano and Eight Cellos
Lyubov Petrova, soprano; Lynn Harrell, Ben Hong, Hai-Ye Ni, Chia-Ling Chien, Yao Zhao, Max Geissler, Jonathan Lo, Alex Greenbaum, cellos

SAINT-SAËNS · Carnival of the Animals
Paul Huang, Cho-Liang Lin, violins; Tien-Hsin Cindy Wu, viola; Ben Hong, cello; Peter Lloyd, bass; Pamela Vliek Martchev, flute; Anthony McGill, clarinet; Shai Wosner, Joyce Yang, pianos; Ryan Nestor, percussion; Mark Pinter, narrator

Aug
4
Sat
AN EVENING WITH YEFIM BRONFMAN
Aug 4 @ 8:00 pm
AN EVENING WITH YEFIM BRONFMAN @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

AN EVENING WITH YEFIM BRONFMAN

Saturday, August 4, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Extolled by The Wall Street Journal for “his range of sonority – from lyrical to pungent, to explosive,” Yefim Bronfman is internationally recognized as one of today’s most acclaimed and admired pianists. As a close friend of Cho-Liang Lin, Mr. Bronfman celebrates the music director’s 18-year tenure with a beautiful and rich evening of solo and chamber music masterpieces, including Schubert’s iconic Piano Sonata, D.958, written in the last year of the composer’s life.

Prelude · 7:00 PM
Interview with Yefim Bronfman hosted by Eric Bromberger

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AN EVENING WITH YEFIM BRONFMAN

MOZART · Sonata in E Minor for Violin and Piano, K.304
Cho-Liang Lin, violin; Yefim Bronfman, piano

SCHUBERT · Piano Sonata in C Minor, D.958
Yefim Bronfman, piano

SCHUMANN · Quintet for Piano and Strings in E-flat Major, Op. 44
Yefim Bronfman, piano; Paul Huang, Emily Kruspe, violins; Tien-Hsin Cindy Wu, viola; Lynn Harrell, cello

Aug
5
Sun
AN AFTERNOON WITH EMERSON STRING QUARTET
Aug 5 @ 3:00 pm
AN AFTERNOON WITH EMERSON STRING QUARTET @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

Emerson String Quartet

AN AFTERNOON WITH EMERSON STRING QUARTET

Sunday, August 5, 2018 · 3:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Named “America’s greatest quartet” by TIME Magazine, the distinguished Emerson String Quartet performs an all-Beethoven program, featuring the bewildering and complex Grosse Fuge.

Prelude · 2:00 PM
Interview with members of Emerson String Quartet hosted by Eric Bromberger

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AN AFTERNOON WITH EMERSON STRING QUARTET

BEETHOVEN · String Quartet in C-sharp Minor, Op. 131
BEETHOVEN · String Quartet in B-flat Major, Op. 130 with Grosse Fuge, Op. 133
Emerson String Quartet:
Eugene Drucker, Philip Setzer, violins; Laurence Dutton, viola; Paul Watkins, cello

Aug
7
Tue
MUSIC FROM THE HEART
Aug 7 @ 8:00 pm
MUSIC FROM THE HEART @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

MUSIC FROM THE HEART

Tuesday, August 7, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Strings soar in beautifully lyrical works by Stravinsky and Mendelssohn. The evening culminates with Rachmaninoff’s final composition, Symphonic Dances, performed by two of the most accomplished pianists of their generation, Shai Wosner and Joyce Yang. Let your emotions take flight!

Prelude · 7:00 PM
Rolston String Quartet performs Tchaikovsky’s String Quartet No. 1 in D Major, Op. 11

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MUSIC FROM THE HEART

STRAVINSKY · Suite Italienne for Violin and Piano
Martin Beaver, violin; Joyce Yang, piano

MENDELSSOHN · String Quintet in B-flat Major, Op. 87
Paul Huang, Anna Lee, violins; Tien-Hsin Cindy Wu, Heiichiro Ohyama, violas; Hai-Ye Ni, cello

RACHMANINOFF · Symphonic Dances, Op. 45 for Two Pianos
Shai Wosner, Joyce Yang, pianos

Aug
8
Wed
LATE NIGHT WITH LEONARD BERNSTEIN
Aug 8 @ 8:00 pm
LATE NIGHT WITH LEONARD BERNSTEIN @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

LATE NIGHT WITH LEONARD BERNSTEIN

Wednesday, August 8, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Celebrate the centennial of Leonard Bernstein (1918-1990) with an intimate look into the life and music of this remarkable man, composer, conductor, musician, and father, through the eyes of his daughter Nina Bernstein Simmons.

Leonard Bernstein, a well-known insomniac for whom night was a time for creativity and friendship, was often found entertaining guests late into the night. Hosted by his daughter Nina and featuring soprano Amy Burton and pianists John Musto and Michael Boriskin, this performance is an affectionate, multi-media portrait of the personal side of this singularly public figure.

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LATE NIGHT WITH LEONARD BERNSTEIN

 
Program to be announced from stage.

Aug
9
Thu
SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE (AUG. 9)
Aug 9 @ 12:30 pm
SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE (AUG. 9) @ Athenaeum Music & Arts Library | San Diego | California | United States

SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE

Thursday, August 9, 2018 · 12:30 PM
Athanaeum Music & Arts Library

New York Philharmonic Principal Cellist Carter Brey, soprano Lyubov Petrova, pianist Saetbyeol Kim, and Fellowship Artist Ensemble Rolston String Quartet are featured in this all-Schubert program. Host Marcus Overton delves into the connection between Schubert’s music and the time in which the composer lived.

Please note, this free event has sold out. Tickets are no longer available.

Register to Attend

SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE (AUG. 9)

SCHUBERT · Lieder Selections
Lyubov Petrova, soprano; Saetbyeol Kim, piano

SCHUBERT · String Quartet in C Major, D.956
Rolston String Quartet; Carter Brey, cello

49 MINUTES ON THE EDGE: AN EXPLORATION WITH FLUX QUARTET
Aug 9 @ 8:00 pm
49 MINUTES ON THE EDGE: AN EXPLORATION WITH FLUX QUARTET @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

49 MINUTES ON THE EDGE: AN EXPLORATION WITH FLUX QUARTET

Thursday, August 9, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

In this first of two 49-minute performances, the acclaimed FLUX Quartet will take the audience onto a new musical plane with a program celebrating contemporary composers. Audience members are invited to mingle at a post-concert gathering with the artists, creating an opportunity for essential dialogue around this next wave of composition.

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49 MINUTES ON THE EDGE: AN EXPLORATION WITH FLUX QUARTET

BROWN · String Quartet (1965)

OLIVER LAKE · Hey Now Hey (2017)

LEI LIANG · Serashi Fragments (2005)

NANCARROW · String Quartet No. 3 (1987)

RAND STEIGER · String Quartet (2018) WORLD PREMIÈRE

FLUX Quartet:
Tom Chiu, Conrad Harris, violins; Max Mandel, viola; Felix Fan, cello

Aug
10
Fri
ACROSS OCEANS
Aug 10 @ 8:00 pm
ACROSS OCEANS @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

ACROSS OCEANS

Friday, August 10, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Dive into this lush, dynamic program bridging the great masterworks of Bruch and Dvorák with one of the most prolific and esteemed Japanese composers working today, Toshi Ichiyanagi.

Prelude · 7:00 PM
Cambridge Trio performs Dvorák’s Piano Trio in F Minor, Op. 65

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ACROSS OCEANS

TOSHI ICHIYANAGI · String Quartet
FLUX Quartet

BRUCH · Octet in B-flat Major, Op. posth.
Martin Beaver, Tien-Hsin Cindy Wu, Luri Lee, Emily Kruspe, violins; Hezekiah Leung, Heiichiro Ohyama, violas; Felix Fan, cello; DaXun Zhang, bass

DVORÁK · Piano Quartet in E-flat Major, Op. 87
Gilles Vonsattel, piano; Martin Beaver, violin; Tien-Hsin Cindy Wu, viola; Carter Brey, cello

Aug
11
Sat
SUMMERFEST GALA
Aug 11 @ 6:00 pm
SUMMERFEST GALA @ UC San Diego's Audrey Geisel University House | San Diego | California | United States
SummerFest Gala

SummerFest Gala

Saturday, August 11, 2018
UC San Diego’s Audrey Geisel University House
6:00 PM

Dolly Woo, Gala Chair
Sylvia Ré, SummerFest Chair
Martha Dennis, Honorary Chair

Join us for an elegant evening celebrating Cho-Liang Lin’s incredible tenure! Enjoy a private concert with world-class musicians, paired with world-class cuisine created by the awarding-winning celebrity chef, Jeffrey Strauss of Pamplemousse.

Secure Your Gala Tickets Today



For reservations, please contact Rewa Colette Soltan at 858.459.3724, ext. 206 or RSoltan@LJMS.org


Aug
14
Tue
MY FAVORITE PLAYLIST
Aug 14 @ 8:00 pm
MY FAVORITE PLAYLIST @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

MY FAVORITE PLAYLIST

Tuesday, August 14, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Cho-Liang Lin’s eclectic artistic palette has led him to diverse musical endeavors, including championing new works. Join us as we shuffle through some of the gems he has discovered, with friends he’s made along the way during his 18 years as Music Director!

Prelude · 7:00 PM
Lecture by Nicolas Reveles

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MY FAVORITE PLAYLIST

TURINA · Escena Andaluza, Op. 7 (Scenes of Andalusia)
Paul Neubauer, viola; Saetbyeol Kim, piano; Rolston String Quartet

DEBUSSY · Sonata in D Minor for Cello and Piano
Jian Wang, cello; John Novacek, piano

LEI LIANG · Vis-à-vis, for Pipa and Percussion WORLD PREMIÈRE
Wu Man, pipa; Steven Schick, percussion

MAHLER · Rückert-Lieder
Tamara Mumford, mezzo-soprano; Ken Noda, piano

GINASTERA · String Quartet No. 1, Op. 20
Rolston String Quartet

Aug
15
Wed
AN EVENING WITH ADELE ANTHONY & GIL SHAHAM
Aug 15 @ 8:00 pm
AN EVENING WITH ADELE ANTHONY & GIL SHAHAM @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

AN EVENING WITH ADELE ANTHONY & GIL SHAHAM

Wednesday, August 15, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

A string extravaganza featuring the extraordinary Gil Shaham and
Adele Anthony alongside powerhouse violinists and rising stars from
the Bravo! International Music Academy.

Prelude · 7:00 PM
Cambridge Trio performs Beethoven’s Piano Trio in B-flat Major, Op. 97 “Archduke”

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AN EVENING WITH ADELE ANTHONY & GIL SHAHAM

LECLAIR · Sonata in E Minor for Two Violins, Op. 3, No. 5
Adele Anthony, Gil Shaham, violins

MOSZKOWSKI · Suite in G Minor for Two Violins and Piano, Op. 71
Adele Anthony, Gil Shaham, violins; Juho Pohjonen, piano

BACH/BRAHMS · Presto after J.S. Bach from Five Studies for Piano,
op. Anh. Ia/1

BARTÓK · Selections from 44 Duos for Two Violins, Sz.98

WIENIAWSKI · Selections from Études-Caprices for Two Violins, Op. 18
Adele Anthony, Gil Shaham, violins

JULIAN MILONE · Flower Duet from Delibes’ Lakmé
Song to the Moon from Dvorák’s Rusalka
Bohemian Rhapsody by Queen

Adele Anthony, Gil Shaham, Cho-Liang Lin, Kyoko Takezawa, violins; DaXun Zhang, bass

JULIAN MILONE · En Coulisses for Twelve Violins
Adele Anthony, Gil Shaham, Emily Kruspe, Anna Lee, Luri Lee, Cho-Liang Lin, Kyoko Takezawa, Bravo! International Music Academy students, violins

Aug
16
Thu
SUMMERFEST ENCOUNTER: THE VIOLIN MAKER
Aug 16 @ 12:30 pm
SUMMERFEST ENCOUNTER: THE VIOLIN MAKER @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

SUMMERFEST ENCOUNTER: THE VIOLIN MAKER

Thursday, August 16, 2018 · 12:30 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Renowned contemporary luthier and SummerFest Scholar-in-Residence Sam Zygmuntowicz guides the audience on a journey of instrument making through the history of the great houses of Guarneri and Stradivari to the present day. Festival artists Gary Hoffman, Yura Lee, Cho-Liang Lin, Kyoko Takezawa, and more demonstrate the quality of craftsmanship, artistry, and exquisite sound of these rare instruments from the 17th and 18th centuries. Come and see this priceless collection up close before it is featured onstage at The Glory of Cremona on August 19th!

Free to the public, reservation required.

Register to Attend

 

Please note, parking permits will be required at UC San Diego for The Violin Maker.


49 MINUTES ON THE EDGE: PIANO FOCUS
Aug 16 @ 8:00 pm
49 MINUTES ON THE EDGE: PIANO FOCUS @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

49 MINUTES ON THE EDGE: PIANO FOCUS

Thursday, August 16, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

In a spotlight of SummerFest commissions, Marc-André Dalbavie’s Piano Quartet and Pierre Jalbert’s most recent Piano Quintet refashion piano chamber music staples into a vehicle for exploring contemporary harmonies. Following this 49-minute performance, audience members are invited to mingle at a post-concert gathering with the artists, creating the opportunity for essential dialogue around this next wave of composition.

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49 MINUTES ON THE EDGE: PIANO FOCUS

MARC-ANDRÉ DALBAVIE · Piano Quartet for Piano and Strings (2012)
John Novacek, piano; Margaret Batjer, violin, Che-Yen Chen, viola; Max Geissler, cello

PIERRE JALBERT · Piano Quintet (2017) WEST COAST PREMIÈRE
Juho Pohjonen, piano; Rolston String Quartet

Aug
17
Fri
JOHANNES, CLARA, & ROBERT
Aug 17 @ 8:00 pm
JOHANNES, CLARA, & ROBERT @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

JOHANNES, CLARA, & ROBERT

Friday, August 17, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Robert Schumann, Clara Schumann, and Johannes Brahms shared one of the most fascinating and yet tragic love triangles in the history of music. The details of their relationship can be traced through letters, and of course, the great music that was written for and played by each of these three iconic musical figures, who continued to inspire each other even after Robert’s untimely death.

Prelude · 7:00 PM
Rolston String Quartet performs Webern’s Langsamer Satz and Haydn’s String Quartet in B-flat Major, Op. 76, No. 4 “Sunrise”

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JOHANNES, CLARA, & ROBERT

BRAHMS · Two Songs for Alto, Viola, and Piano, Op. 91
Tamara Mumford, mezzo-soprano; Paul Neubauer, viola; John Novacek, piano

C. SCHUMANN · Piano Trio in G Minor, Op. 17
John Novacek, piano; Yura Lee, violin; Jian Wang, cello

R. SCHUMANN · Three Romances for Oboe and Piano, Op. 94
Liang Wang, oboe; Juho Puhonen, piano

BRAHMS · Trio in E-flat Major for Piano, Violin, and Horn, Op. 40
Juho Pohjonen, piano; Kyoko Takezawa, violin; Erik Ralske, horn

Aug
18
Sat
A NIGHT OF JAZZ WITH JOHN PIZZARELLI TRIO
Aug 18 @ 8:00 pm
A NIGHT OF JAZZ WITH JOHN PIZZARELLI TRIO @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

A NIGHT OF JAZZ WITH JOHN PIZZARELLI TRIO

Saturday, August 18, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Called “madly creative” by the Los Angeles Times, world-renowned jazz guitarist and singer John Pizzarelli entertains and delights with his all-star trio. Let “the genial genius of the guitar” (The Toronto Star) take you on a musical journey exploring the Great American Songbook and beyond.

Prelude · 7:00 PM
Interview with John Pizzarelli hosted by Jazz 88.3’s Claudia Russell

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Preview Article from The San Diego Union-Tribune
Guitar ace John Pizzarelli returns with his jazz trio for SummerFest concert

Read Article

A NIGHT OF JAZZ WITH JOHN PIZZARELLI TRIO

Program to be announced from stage.

Aug
19
Sun
THE GLORY OF CREMONA: STRADIVARI, GUARNERI, & AMATI
Aug 19 @ 3:00 pm
THE GLORY OF CREMONA: STRADIVARI, GUARNERI, & AMATI @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

THE GLORY OF CREMONA: STRADIVARI, GUARNERI, & AMATI

Sunday, August 19, 2018 · 3:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Enjoy a rare opportunity to hear an exquisite collection of string instruments from the greatest lutherie houses of the 17th and 18th centuries on this stunning program. Performed by world-class musicians, these dazzlingly beautiful works from Massenet’s Meditation to Tchaikovsky’s Souvenir de Florence—arguably one of the greatest chamber music works every written—come to life before your eyes.

Prelude · 2:00 PM
Lecture by Sam Zygmuntowicz

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THE GLORY OF CREMONA: STRADIVARI, GUARNERI, & AMATI

TELEMANN · Concerto in D Major for Four Violins
Cho-Liang Lin, Yura Lee, Anna Lee, Kyoko Takezawa, violins

TCHAIKOVSKY · Mélodie, Op. 42, No. 3
Yura Lee, violin; Saetbyeol Kim, piano

MASSENET · Meditation from Thaïs
Anna Lee, violin; Saetbyeol Kim, piano

SCHUMANN · Adagio and Allegro in A-flat Major for Cello and Piano, Op. 70
Jian Wang, cello; Saetbyeol Kim, piano

DVORÁK · Terzetto in C Major for Two Violins and Viola, Op. 74
Yura Lee, Kyoko Takezawa, violins; Toby Hoffman, viola

MENDELSSOHN · Capriccio in E Minor for String Quartet, Op. 81
Anna Lee, Yura Lee, violins; Che-Yen Chen, viola; Jian Wang, cello

TCHAIKOVSKY · Sextet for Strings in D Major, Op. 70 “Souvenir de Florence”
Kyoko Takezawa, Yura Lee, violins; Paul Neubauer, Che-Yen Chen, violas; Gary Hoffman, Jian Wang, cellos

Aug
21
Tue
MIDNIGHT IN PARIS
Aug 21 @ 8:00 pm
MIDNIGHT IN PARIS @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

MIDNIGHT IN PARIS

Tuesday, August 21, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Stroll along the Seine and fall in love all over again with some of the most beautiful works in chamber music written by the foremost French composers of their time. Delight in the sensualistic palette of harmonies and timbres, and let the reverie transport you à Paris!

Prelude · 7:00 PM
Cambridge Trio performs Ravel’s Piano Trio in A Minor

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MIDNIGHT IN PARIS

GOUNOD · Petite Symphonie for Wind Nonet in B-flat Major, Op. 216
Catherine Ransom Karoly, flute; Liang Wang, Laura Griffiths, oboes; John Bruce Yeh, Teresa Reilly, clarinets; Keith Buncke, Ryan Simmons, bassoons; Erik Ralske, Dylan Hart, horns

RAVEL · String Quartet in F Major
New Orford String Quartet

CHAUSSON · Concerto for Violin, Piano, and String Quartet, Op. 21
Cho-Liang Lin, violin; Orion Weiss, piano; New Orford String Quartet

Aug
22
Wed
SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE (AUG. 22)
Aug 22 @ 12:30 pm
SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE (AUG. 22) @ Athenaeum Music & Arts Library | San Diego | California | United States

SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE

Wednesday, August 22, 2018 · 12:30 PM
Athanaeum Music & Arts Library

Hosted by Scholar-in-Residence Eric Bromberger, this Encounter features a virtuosic and exuberant program with Fellowship Artist Ensemble Cambridge Trio and acclaimed violist Eric Nowlin of the New Orford String Quartet.

Please note, this free event has sold out. Tickets are no longer available.

Register to Attend

SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE (AUG. 22)

HANDEL/HALVORSEN · Passacaglia for Violin and Cello
Anna Lee, violin; Max Geissler, cello

BRAHMS · Piano Quartet in A Major, Op. 26
Cambridge Trio; Eric Nowlin, viola

AN EVENING WITH EMANUEL AX
Aug 22 @ 8:00 pm
AN EVENING WITH EMANUEL AX @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

Emanuel Ax

AN EVENING WITH EMANUEL AX

Wednesday, August 22, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

One of the most versatile and universally respected pianists on the international concert scene, with a career that has taken him to every major venue and orchestra in the world, Emanuel Ax rounds out our celebration of Music Director Cho-Liang Lin with this glorious program.

Prelude · 7:00 PM
Rolston String Quartet performs Brahms’ String Quartet No. 2 in A Minor, Op. 51, No. 2

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AN EVENING WITH EMANUEL AX

BRAHMS · Variations on a Theme by Haydn, Op. 56b
Emanuel Ax, Orion Weiss, pianos

SCHOENBERG · Six Little Piano Pieces, Op. 19
Emanuel Ax, piano

MOZART · “Kagelstatt” Trio in E-flat Major, K. 498
John Bruce Yeh, clarinet; Che-Yen Chen, viola; Emanuel Ax, piano

BRAHMS · Piano Quartet No. 3 in C Minor, Op. 60
Emanuel Ax, piano; Cho-Liang Lin, violin; Toby Hoffman, viola; Gary Hoffman, cello

Aug
24
Fri
SUMMERFEST FINALE WITH DAVID ZINMAN
Aug 24 @ 8:00 pm
SUMMERFEST FINALE WITH DAVID ZINMAN @ Balboa Theatre | San Diego | California | United States

SUMMERFEST FINALE WITH DAVID ZINMAN

Friday, August 24, 2018 · 8:00 PM
Balboa Theatre

How does one say farewell after 18 incredible years? For Music Director Cho-Liang Lin, the answer is easy: in a performance with one’s closest friends and the most resplendent music. Maestro David Zinman, pianists Emanuel Ax and Jon Kimura Parker, and cellist Gary Hoffman join forces with the SummerFest Orchestra and San Diego Master Chorale to celebrate Cho-Liang Lin’s legacy. With the Beethoven Triple and Choral Fantasy on the same program, this is a rare and wondrous occasion—and one you will never forget!

Prelude · 7:00 PM
Lecture by Eric Bromberger

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SUMMERFEST FINALE WITH DAVID ZINMAN

ALL WORKS FEATURE THE SUMMERFEST ORCHESTRA

ELGAR · Serenade for Strings in E Minor, Op. 20

BEETHOVEN · Triple Concerto in C Major, Op. 56
Cho-Liang Lin, violin; Gary Hoffman, cello; Jon Kimura Parker, piano

ELGAR · Introduction and Allegro for Strings, Op. 47
New Orford String Quartet

BEETHOVEN · Choral Fantasy in C Minor, Op. 80
Emanuel Ax, piano; San Diego Master Chorale

Oct
3
Wed
SPACES BY WYNTON MARSALIS – JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS
Oct 3 @ 8:00 pm
SPACES BY WYNTON MARSALIS - JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS @ Balboa Theatre | San Diego | California | United States

Wynton Marsalis

SPACES BY WYNTON MARSALIS

JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS

Wednesday, October 3, 2018 · 8:00 PM
Balboa Theatre

Spaces – composed with the concept of “animal ballet” in mind by Pulitzer Prize-winning trumpeter Wynton Marsalis – comes to life with Jazz at Lincoln Center Orchestra’s true jazz melodies and the groundbreaking dance magic of Memphis “jookin’” star Lil Buck and tap dancer Jared Grimes.

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Or call Balboa Theatre at (619) 570-1100.

Jazz 88.3 FM is a proud media sponsor of this performance.

Prelude · 7:00 PM
Prelude interview with Vincent Gardner, trombone, hosted by Robert John Hughes

Free Event · Open Sound Check and Q&A with Kenny Rampton, trumpet
Please contact Allison Boles, Education and Community Programming Manager: 858.459.3724, ext. 221 or ABoles@LJMS.org for details and to register.


Oct
18
Thu
SEONG-JIN CHO
Oct 18 @ 8:00 pm
SEONG-JIN CHO @ The Auditorium at TSRI | San Diego | California | United States

SEONG-JIN CHO, piano

Thursday, Oct. 18, 2018 · 8:00 PM
The Auditorium at TSRI

Seong-Jin Cho was brought to the world’s attention in 2015 when he won the coveted First Prize at the Chopin International Competition in Warsaw. With an overwhelming talent and innate musicality, Cho is rapidly embarking on a world-class career and considered one of the most distinctive artists of his generation.

“… this latest Chopin Competition winner can stand proud next to illustrious past winners like Pollini, Argerich and Zimerman.” – Pianist

Prelude · 7:00 PM
Prelude lecture by Seth Lerer

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SEONG-JIN CHO, piano

J.S. BACH · Chromatic Fantasia and Fugue in D Minor, BWV 903

SCHUBERT · Fantasy in C Major, D.760 “Wanderer Fantasy”

CHOPIN · Polonaise-Fantaisie in A-flat Major, Op. 61

MUSSORGSKY · Pictures at an Exhibition